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| The Book of Ser Marco Polo : vol.1 |
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Citation Information
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a
C EXPLANATORY LIST OF ILLUSTRATIONS
PROLOGUE.
Page 3. Remains of the Castle of SOLDATA or Sudák. After Dubois de Montyereux, Voyage autour du Caucase, Atlas, 3d s. Pl. 64.
„ 7. Ruins of BOLGHAR. After Denzidoff, Voyage dans la Russie Méridionale,
Pl. 75.
The GREAT KAAN delivering a GOLDEN TABLET to the two elder Polos. From a miniature in the Livre des Merveilles du Monde (Fr. 281o) in the Library at Paris, fol. 3 verso.
Castle of AYAS. After Langlois, Voyage en Cilicie.
„ i8. Plan of ACRE as it was when lost (A. D. 1291). Reduced and translated from the contemporary plan in the Secreta Fideliunz Crucis of ;Marino Sanudo the Elder, engraved in Bongars, Geste Dei per Francos, vol. ii.
„ 21. Portrait of Pope GREGORY X. After J. B. de Cavaleriis Porztificunz Romanorum Effigies, etc. Roma, 1580.
„ 37. Ancient CHINESE WAR VESSEL. From the Chinese Encyclopedia called San- Thsai-Thou-Iloei, in the Paris Library.
BOOK FIRST.
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Page 42. Coin of King HETUM I. and Queen ISABEL of Cilician Armenia. From an original in the British Museum. Engraved by ADENEY.
If 48. Castle of BAIBURT. After Texier, L'Arménie, Pl. 3.
„ 51. Medieval GEORGIAN FORTRESS. From a drawing by Padre CRISTOFORO
DI CASTELLI of the Theatine Mission, made in 1634, and now in the Communal Library at Palermo. The name of the place has been eaten away, and I have not yet been able to ascertain it.
55. View of DERBEND. After a cut from a drawing by M. Moynet in the Tour du Monde, vol. i.
„ 61. Coin of BADRUDDÍN LOLO of Mosul (A.H. 620). After Marsden's Numis-
mata Orientalia, No. 164. By ADENEY.
If 76. GHÁzÁN Khan's Mosque at TABRIZ. Borrowed from .Fergusson's History of Architecture.
77 95. KASHMIR SCARF with animals, etc. After photograph from the scarf in
the Indian Museum.
„ Too. Humped Oxen from the Assyrian Sculptures at Kouyunjik. From Rawlinson's Ancient Monarchies.
OE)102. Portrait of a Hazara. From a Photograph, kindly taken for the purpose, by M. -Gen. C. P. Keyes, C.B., Commanding the Panjáb Frontier Force. OE) '16-118. Illustrations of the use of the DOUBLE RUDDER in the Middle Ages.
7 figures, viz., No. I, The Navicello of Giotto in the Porch of St. Peter's. From Eastlake's H. of Painting; Nos. 2 and 3, from Pertz, Scriptores, torn. xviii. after a Genoese Chronicle ; No. 4, Sketch from fresco of Spinello Aretini at Siena ; No. 5, Seal of Port of Winchelsea, from Sussex Archceological Collections, vol. i. 1848 ; No. 6, Sculpture on Leaning Tower at Pisa, after Jal, Archéolo&ie
Navale; No. 7, from the Monument of Peter Martyr, the persecutor of the Lombard Patarini, in the Church of St. Eustorgius at Milan, after
Le Tombe ed i Monumenti Illustri d'Italia, Mil. 1822-23.
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