国立情報学研究所 - ディジタル・シルクロード・プロジェクト
『東洋文庫所蔵』貴重書デジタルアーカイブ
|
|
カラー画像サムネイル -
目次 -
ページ番号 -
書誌情報(メタデータ) -
キャプション -
カラー画像 -
白黒高解像度画像 -
見開きページ -
グラフィック -
| 0440 |
The Book of Ser Marco Polo : vol.2 |
| マルコ=ポーロ卿の記録 : vol.2 |
引用情報
OCR読み取り結果
to the sun's heat. The liquor is then drawn off to another cistern and there agitated;
the indigo separates in flakes. A quantity of lime-water then is added, and the blue
is allowed to subside. The clear water is drawn off; the sediment is drained, pressed,
and cut into small squares, etc. (See Madras Journal, vol. viii. 198.)
Indigo had been introduced into Sicily by the Jews during the time of Frederick
II., in the early part of Polo's century. Jews and Indigo have long vanished from
Sicily. The dye is often mentioned in Pegolotti's Book; the finest quality being
termed Indaco Baccadeo, a corruption of Bághdádi. Probably it came from India by
way of Baghdad. In the Barcelona Tariffs it appears as Indigo de Bagadel. Another
quality often mentioned is Indigo di Golfo. (See Capmany, Memorias, II. App.
p. 73.) In the bye-laws of the London Painters' Guild of the 13th century, quoted
by Sir F. Palgrave from the Liber Horne, it is forbidden to paint on gold or silver
except with fine (mineral) colours, "e nient de brasil, ne de inde de Baldas, ne de
nul autre mauveise couleur." (The Merchant and the Friar, p. xxiii.) There is
now no indigo made or exported at Quilon, but there is still some feeble export of
sappanwood, ginger, and pepper. These, and previous particulars as to the present
Quilon, I owe to the kindness of Mr. Ballard, British Resident at Trevandrum.
Note 5.—Black Tigers and black Leopards are not very rare in Travancore
(See Welsh's Mil. Reminiscences, II. 102.)
Note 6.—Probably founded on local or caste customs of marriage, several of
which in South India are very peculiar; e.g., see Nelson's Madura, Pt. II. p. 51.
CHAPTER XXIII.
Of the Country called Comari
Comari is a country belonging to India, and there you
can see something of the North Star, which we had not
been able to see from the Lesser Java thus far. In
order to see it you must go some 30 miles out to sea,
and then you see it about a cubit above the water.¹
This is a very wild country, and there are beasts of all
kinds there, especially monkeys of such peculiar fashion
that you would take them for men! There are also
gatpauls² in wonderful diversity, with bears, lions, and
leopards, in abundance.
1
.
.
.
.
|
.
.
.
.
16
.
.
.
.
|
.
.
.
.
26
.
.
.
.
|
.
.
.
.
38
.
.
.
.
|
.
.
.
.
48
.
.
.
.
|
.
.
.
.
58
.
.
.
.
|
.
.
.
.
69
.
.
.
.
|
.
.
.
.
79
.
.
.
.
|
.
.
.
.
89
.
.
.
.
|
.
.
.
.
99
.
.
.
.
|
.
.
.
.
109
.
.
.
.
|
.
.
.
.
121
.
.
.
.
|
.
.
.
.
131
.
.
.
.
|
.
.
.
.
141
.
.
.
.
|
.
.
.
.
152
.
.
.
.
|
.
.
.
.
162
.
.
.
.
|
.
.
.
.
173
.
.
.
.
|
.
.
.
.
183
.
.
.
.
|
.
.
.
.
194
.
.
.
.
|
.
.
.
.
204
.
.
.
.
|
.
.
.
.
214
.
.
.
.
|
.
.
.
.
224
.
.
.
.
|
.
.
.
.
235
.
.
.
.
|
.
.
.
.
246
.
.
.
.
|
.
.
.
.
256
.
.
.
.
|
.
.
.
.
267
.
.
.
.
|
.
.
.
.
277
.
.
.
.
|
.
.
.
.
287
.
.
.
.
|
.
.
.
.
299
.
.
.
.
|
.
.
.
.
310
.
.
.
.
|
.
.
.
.
320
.
.
.
.
|
.
.
.
.
330
.
.
.
.
|
.
.
.
.
340
.
.
.
.
|
.
.
.
.
350
.
.
.
.
|
.
.
.
.
360
.
.
.
.
|
.
.
.
.
371
.
.
.
.
|
.
.
.
.
381
.
.
.
.
|
.
.
.
.
391
.
.
.
.
|
.
.
.
.
401
.
.
.
.
|
.
.
.
.
411
.
.
.
.
|
.
.
.
.
421
.
.
.
.
|
.
.
.
.
431
.
.
.
.
|
438
439
440
441
442
.
.
.
.
|
.
.
.
.
452
.
.
.
.
|
.
.
.
.
462
.
.
.
.
|
.
.
.
.
472
.
.
.
.
|
.
.
.
.
482
.
.
.
.
|
.
.
.
.
492
.
.
.
.
|
.
.
.
.
503
.
.
.
.
|
.
.
.
.
513
.
.
.
.
|
.
.
.
.
524
.
.
.
.
|
.
.
.
.
534
.
.
.
.
|
.
.
.
.
545
.
.
.
.
|
.
.
.
.
555
.
.
.
.
|
.
.
.
.
567
.
.
.
.
|
.
.
.
.
577
.
.
.
.
|
.
.
.
.
587
.
.
.
.
|
.
.
.
.
597
.
.
.
.
|
.
.
.
.
607
.
.
.
.
|
.
.
.
.
617
.
.
.
.
|
.
.
.
.
627
.
.
.
.
|
.
.
.
.
637
.
.
.
.
|
.
.
.
.
647
.
.
.
.
|
.
.
.
.
658
.
.
.
.
|
.
.
.
.
668
.
.
.
.
|
.
.
.
.
678
.
.
.
.
|
.
.
.
.
688
.
.
.
.
|
.
.
.
.
698
.
.
.
.
|
.
.
.
.
708
.
.
.
.
|
.
.
.
.
718
.
.
.
.
|
.
.
.
.
731
732
Copyright (C) 2003-2026
National Institute of Informatics(国立情報学研究所)
and
The Toyo Bunko(東洋文庫). All Rights Reserved.
本ウェブサイトに掲載するデジタル文化資源の無断転載は固くお断りいたします。