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0145 Wall Paintings from Ancient Shrines in Central Asia : vol.1
Wall Paintings from Ancient Shrines in Central Asia : vol.1 / Page 145 (Grayscale High Resolution Image)

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doi: 10.20676/00000259
Citation Format: Chicago | APA | Harvard | IEEE

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graceful courtesy and conciliatory intent, a bowl of tempting food to the un-
responsive guardian. The dress consists of a long, red skirt, partly covered by a
loin-cloth of pale pink, girded by a grey kamarband. A long pink stole with blue
lining twines about arms and body, and blue, floral jewels enrich the bracelets.
To the left is the lower part of a standing figure in dress closely resembling that
of the other, but round the hips appears to be a narrow green cloth. Parts of both
hands are visible, grasping some indistinguishable object.
There is probably a third figure, partly visible to the left but very indistinct.
All have bare feet.
The attempt at perspective in drawing the structures behind the divan is too
confused to convey the artist's conception of them. The divan is rectangular, with
moulded cornice and base painted red, and blue pilasters at the corners. The panels
are buff, with seven irregular scattered shapes painted in black outline on the
nearest. If ever a dog expressed irritation, this one on the divan does. He is of the
Afghān hound type, with smooth body and furry ears, jowls, and tail; and the
artist has succeeded in suggesting, by the fierce glare in his eye and the position of
his ears, defiance of the beguilements of his tempters as he turns his head away,
with a threatening snarl from those dangerous-looking jaws. Above and farther
back is, perhaps, a brick plinth of alternate grey and buff bricks, supporting a green-
topped pedestal, approached by a green ramp or stairway. On the pedestal sits the
dog, tail erect, in the alert pose of a Chinese kylin.
The background of the lower part is green. A band of red lies between the green
and the base of the wall, and the wall above is pale pink-buff. Contour lines are
black.

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