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0074 Wall Paintings from Ancient Shrines in Central Asia : vol.1
中央アジアの古代寺院の壁画 : vol.1
Wall Paintings from Ancient Shrines in Central Asia : vol.1 / 74 ページ(カラー画像)

New!引用情報

doi: 10.20676/00000259
引用形式選択: Chicago | APA | Harvard | IEEE

OCR読み取り結果

The figures seem to be taking part in some devotional ceremony such as a
presentation to a saintly person or shrine.

Toy. VI. 073, &c.

This is probably part of the same, or of a similar picture, as the last. There are
two adult standing figures, turned towards the left, each holding a long-stemmed
branch or flower, supported by both hands. The figure to the left is badly dis-
coloured, and the details are difficult to make out. He wears a blue robe figured
with brown flying ducks and red flame-like clouds—again, a motive frequently
found on actual textiles from Lou-lan and Astāna. Next is a white-robed figure
with blue girdle to which are attached, on the left side, a pouch and probably cases
for writing implements and eating-sticks. Against the skirts of this figure is a
group of five children, in two rows, all white, contoured with black. There are
faint traces of pink on the cheeks of the tallest. Two are readily recognizable and
the remains of the other three it is hoped to rescue from the murk of discolora-
tion by the aid of the clues here given. They all appear to be dressed in simple
smocks but the hair of each child is differently shaven and dressed; and it is this
last condition that provides the means of identification. The tallest child has a tall
top-knot placed at a rather rakish angle. The next wears a fringe over the forehead
and a thin tail behind. In the front row, the child to the right has two leaf-shaped
locks curving right and left. The middle child has a single 'love-lock' in front,
curving to the right. The figure to the left has a fringe over the forehead and a long
leaf-shaped lock at the side. The two at the back have their hands folded in an
attitude of devotion.

Toy. VI. 0144

Two slim, youthful adorants stand facing to the left. The taller of the two, a
woman (head missing), has her hands folded at her breast. The long simple lines
of her white robe are very graceful, and the figure in pose and treatment reminds
one of similar figures in Gothic sculpture. There are traces of pale green on the
robe. The child by her side is dressed in a simple white robe with a loose girdle
round the middle, his hands tucked into opposite cuffs of his long sleeves, as in a
muff. The head of the woman is broken away, as is the top of the boy's head; and
the lower part of each is missing.

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