National Institute of Informatics - Digital Silk Road Project
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Wall Paintings from Ancient Shrines in Central Asia : vol.1 |
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Gobbets of two- and three-tongued green and red flames, dancing about the
white background, contribute to the plutonic nature of the region appropriated to
the reception and entertainment of transgressors.
Below is a yellow border-band and below that oblique sections of pink and red,
suggestive of tiling in perspective. On the extreme right is part of a vertical band
of grey ornament. All outlines are black. The drawing, although generally rather
careless, is certainly expressive.
Kao. III. 019, 020, 0201
It is probable that these three pieces are not from one picture, the centre section
having a type of pedestal differing from the others. They are therefore numbered
individually. The general scheme represents a number of kneeling `donors', and
they probably come from the lower part of one or more large, dedicatory paint-
ings. All the figures are of Mongolian type.
0201, on the left, shows three kneeling men; the upper part of the foremost and
part of the head of the hindmost are missing. In front of them is a pedestal of
curious design and unrecognized significance. Between the figures are Uigur
inscriptions, and in front of the face of the middle figure is a roughly sketched
diagram looking rather like a whistle. The faces are rather red and the hair and
hat black, with a yellow band round the brim of the latter. The robe of the fore-
most man is dark grey-green, with red belt and tabs. The second is dressed in dull
pink with a double belt of red and black and tabs, alternately red and black. The
third is light green with a red belt and black tabs. The base of the pedestal is green
with a yellow rosette above supporting a red disk, of which a very small part is
present. The background is pale buff, a darker buff band dividing it from the
light and dark red tiles of the pavement.
020. This has four kneeling figures similar to those in 0201. The first to the
right is the most complete. It appears from this that the head is partially shaven,
reserving the forehead fringe and the long tresses; two which fall rippling to the
breast and another hanging from the back of the head, behind the shoulder, and
half-way down the upper arm. His robe is pale grey with red belt and tabs. Before
him is a vertical grey band with a repeating spiral ornament in black. Behind the
man is a kind of square pedestal in perspective, with red and yellow base; or it
may represent a hanging tab of textile. Among the many fragments, the upper part
i
H 49
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