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0166 Wall Paintings from Ancient Shrines in Central Asia : vol.1
中央アジアの古代寺院の壁画 : vol.1
Wall Paintings from Ancient Shrines in Central Asia : vol.1 / 166 ページ(カラー画像)

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doi: 10.20676/00000259
引用形式選択: Chicago | APA | Harvard | IEEE

OCR読み取り結果

101, 102; well-drawn, 16; wide-eyed, 8, 11; wide open,
xxiii, 2, 3, 7, 15, 83, 84, 95.

face: bestial, 59, 84, 107; broad, 75; demon, 59, 90; disk-
like, xxiii, xxvi, 27, 45; fair, 8, 97; forehead: broad
and low, 11, high, 112; hairless, 9; masseter muscle
emphasized, 60; mature, 72; oval, 14; pale, 84;
plump, 22, 25, 82, 86, 100; profile, 25, 88; red, 75;
Semitic, 3; smooth, 84, 95; supra-orbital prominences,
pronounced, 60, 72; tanned, 59; tear-sodden, 95; yel-
low, 22: see also cheeks, chin.

facial expression: agonized, 48, 88; alarm, 77; amused,
8; animated, 8, 10, 16; anxious, 12, 86; apprehensive,
84; benign, 112; bestial, 59, 107; bored, 56; brainless,
88; calculating, 8, 101; complacency, 19; concentra-
tion, 1; conscious superiority, 84; contemplative, 11;
contentment, 82; cruel, 77; delighted anticipation,
86; demoniacal, 22, 50, 84, 90; despair, 95; disagree-
able, 45; dreamy, 21, 24, 53, 71; drowsy, 53; dull, 14;
ecstasy, xxiii, 21, 25, 71, 99; expectant, 8; fierce, 59,
83, 84, 86; frowning, 7, 73, 84; grief, 75, 76, 95;
grinning, 72; gruesome, 84; happy, 11; howling, 86;
innocence, 11; intense abstraction, 27; intelligent, 10;
intent, 7; irascible, 75; irritation, 105; kindliness,
101; knotted brow, 84; lamenting, 95; malevolent,
77; nervous, 12; observant, 8; obstinate, 7; pain, 11;
resentful, 9; sad, 17; satisfaction, 84; satyr-like, 94;
serene, 95, 112; simple-seeming, 77; sleepy, 56;
smiling, 8, 25, 61; snarling, 85, 105; sobbing, 76;
speculative, 71; stern, 7, 88; superior and con-
descending, 82; surprise, 77; threatening, 59;
tranquil, 53; unamiable, 8; watchful, 9; weariness,
11; weeping, 76; wonderment, 75; worried, 84: see
also characterization, eyes, mouth, nose.

fan, palm-leaf, see implements.

Farhād-Bēg-yailaki, xviii, xxii, xxiii; picture of Hārītī
found here, see Hārītī.

feathers, scale-like, 83.

features: coarse, 96; delicate, 14; scratchily drawn, 37,
45; treated with restraint, 30.

feet, 2, 89, 105; bare in Mīrān paintings, xxi, 3;
generally badly drawn, xxvi, 39; better drawn, 26;
of men and animals, 12; shod, xxvi: see also sandals,
shoes, toe-nails.

females: Aphrodite-like Nāginī, viii, xxvi, 110–12;
divinity threatening demons, 85; fertility, or earth
goddess, 21, 24; girls in Mīrān painting, xxi, 8;
Gothic-like figure, 34; part of, richly dressed, 15;
tortured by demons, 48; woman, 46: see also
asexuality, Hārītī.

fence, post and rail, 107.

ferrules, 20, golden, 67: see also "housings".

fertility or earth deity, see females.
festoons: floral, on Mīrān dado, xx, 5, 14, 15; of textiles
and jewels, 52, 76, 80, 93.
figured material, 1; bands, 39; barred, 35, 62; chequered,
78; compared with those in Ajanta paintings, 39;
floral, 18, 98; Indian, 39; lattice, 47; lozenge shapes,
39; paterae, 36; rich, 39; rosettes, 39; scrolls, 18;
shawls, 39; Sino-Sasanian, 28; spot pattern, 18, 25,
47, 100: see also animals, motives in ornament.
figured silks found at Astāna, xii, 33; at Lou-lan, x, 15, 33.
figures: celestial, 106; Chinese, 85; decorative, 90;
effeminate, 29; emaciated, 95; long-limbed, 42, 45;
proportions usually short, xxvi, 100; on scroll orna-
ment, 41; size, according to importance, 83; slim,
34, 41; small, 85; square-shouldered, 41; stalwart,
102: see also 'lion waist'.
finger-nails, xxvi; long and pointed, 29, 99; nuns
forbidden to have long, 56; pointed, 56, 70, 82; short,
3, 19, 31.
fingers, 10, 11, 14, 17; erect, 112; long, 31; raised,
admonishing, 86; recurved at tips, 112; significance
of pose, 3, 12; spread, 85; tapering, 31: see thumbs.
finial, 38: see also flame.
fire, see destructive influences.
fish, with chaplet of pearls, 112: see matsya, Nāginī, vāhana.
flageolet, see musical instruments.
flame: finial, 52; in front of hair, 93; gobbets in hell
scene, 49; leaf-like, 1, 27, 37; from mukuṭa, 91; rising
from śankh, 86: see also motives in ornament, white.
flask, 20, 90, 99, 104.
flautist, 96.
flesh: contour lines, red, 4; red-brown, 4, 8; flesh-like
quality, 19; grey, 19; pale, 44, 78, 102; shaded with
grey, xxii, 7, 8, sienna, 10, pink, 7, umber, xxii; without
shading, 14, 16; skill in painting, 5.
fly-whisk, see chaurī.
floral design: see motives in ornament.
flower beds, 107.
flowers: branch or sprig, 23, 28, 30, 34, 35; bunch, 4,
80; in dish held by devatā, 98; in garland, 12; in hand,
4, 80; lotus, 35, 40, 111; as offering, 53, 64, 68;
peony, 31; stalk, 46; strewn, 64; as tiara, 11; on tree,
4, 37: see also lotus, padmāsana.
flute or fife, see musical instruments.
food, offered to Śikā's dog, 105.
foot, of weary putto, xx, 11, 12; with tense muscles,
84; uplifted, 111.
foot-gear: curious type of, see costume.
footstool, 2, 3, 45.
ford through river, 108.

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