国立情報学研究所 - ディジタル・シルクロード・プロジェクト
『東洋文庫所蔵』貴重書デジタルアーカイブ

embroidery technique, 64, 69; softening effect of
grey underlines and red lines, 61, 65, 69, 70; use of
varnish, 80, 106.
teeth, 72, 99; small, even, white, 61, 67; *see also*
tushes.
tempera painting, xxii, 80.
temple or shrine, 108.
terminals, *see* tiles.
terrace, 38, 66, 99.
textiles found, viii, x–xii: *see also* figured material, silk.
Thorne, Miss W. K., Librarian, India House; help
given by, xv.
throne, 45, 104.
thumb, poses of; compared with European examples,
xxvi, 1, 3, 42.
tiara (*mukuṭa*), 11, 21, 22, 25, 52, 55: *see also* jewellery.
Tibetan armour, *see* armour.
— attack on Khotan, xix; on Turfān, xxiv; influence
on art, xxix.
— fort at Mirān, ix.
T'ien-shan range, ix, xii, xxiv.
tiger skin, 23; bow case, 88; as offering, 72, 92; worn
on shoulder, 86.
*tilaka* or *ūrṇā*: mark on forehead, 20, 22, 24, 53, 69,
102.
tiles, roof, 32; with bird-head terminals, 57, 66,
100.
toes, 7, 23; long, 82; musician beats time with great
toe, 96: *see* musicians; *also* elephant.
toe-nails, pointed, 70.
tongue, displayed, 84; of hound, 88; of serpent,
89.
tortured woman, xxvi: *see also* woman.
Toyuk gorge, xi, xviii; MSS. and objects found in
debris, xi; cave shrines, xxv; remains of painting, 32;
painted domed ceiling, xi: *see also* dome.
trade routes protected by wall, ix; 'route of the
centre', x; 'route of the north', xxiv.
Trans-Caspian railway, vii, xii.
Trans-Jordan; tracing the Roman limes, xiii.
Trapusa and Bhallika, *see* merchants.
tray of flaming jewels, 107.
treachery of Chinese general, xix.
'tread' of steps, 38.
trees: 46; Bodhi tree, 45; as canopy, 52, 81; pine, 44,
45; sacred, 38; stylized, 4, 37; used to separate
incidents, xxi; various, 89, 100, 108; willow, 89.
trefoil leaf of Gothic style, 81.
*trimūrti* deity, 1, 22.
*triśūla* finial, 57.
triumphal progress, 88.
trousers, *see* costume.

Tun-huang, 'The Thousand Buddhas', on old 'route
of the centre', x; *see also* baldachino, banners,
textiles.
Turfān region, xi, xxiv; conflict between Chinese and
Huns, xi, xxiv; explored by European scholars, xxiv;
occupied by Chinese, xix; sensitive to ethnic and
political fluctuations, xxiv; work at, xii.
tushes of demons, 85, 88; of Vajrapāṇi, 72.
types: long limbed, 45; Arab, 75, 76; Burmese (?), 25;
Indian, 72; Roman, 12, 13, 38; Russian or 'Western
Turk', 47; *see also* Chinese, Khotanese, Mongolian,
monks, Nepalese, *sādhus*, Semitic.

Uigurs, 31; support Chinese against Western Turks,
xix; invade Turfān, xxiv; Inscriptions, xxix, 35, 47,
49, 60, 73.
umbrellas (*chhattra*), 57.
undulating grassy ground, representation of, 67, 68.
Upali, barber monk, 71.
*upavīta*; *see* costume.
Upper Oxus, viii.
*ūrṇā*, 3, 29: see also *tilaka*.
*uru-dama*, looped girdle, *see* costume.
Urumchi, provincial capital, xii.
*uṣṇīṣa*, 3; development of, 16, 90: *see also* hair-
dressing.
*uttarāsaṅga*, an outer robe, *see* costume.

*vāhana* (vehicle of deity), 83; antelope (?), 42; bull, 84;
fish, 76, 77; *sī-murgh* or phoenix, 43, 83.
Vaiśravaṇa (?), 88, 108.
*vajra* (thunderbolt), 22, 27, 59, 72, 74, 77–79, 90, 97,
104; with *triśūlar* limbs, 90.
Vajrapāṇi, 59, 60, 62, 64, 72–4, 90, 92, 97, 104: *see
also* armour.
Vajrasattva, 107.
valance, 21, 52: *see also* festoons, guttae, tabs.
vambrace; *see* armour.
vandalism, xi: *see also* destructive influences.
*vara-mudrā*, *see mudrās*.
varnish, *see* technique in painting.
Vasey, Mr. E. L., photographer, xv.
Vāshi-shari, x.
*vesica piscis*: absent from Mirān pictures, xxi; highly
developed in later work, xxii.
*Vessantara Jātaka* in Mirānpaintings, xx, xxi, 15;
destroyed by Japanese, xxi; fragment from, 9.
vine-leaf 'apron', *see* Nāginī.
Virūdhaka (?), 84, 85, 87.
*vitarka mudrā*, *see mudrās*.
vulture peak, 45.

127