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| 0021 |
Sino-Siberian Art : vol.1 |
| 中国・シベリアの芸術品 : vol.1 |
引用情報
OCR読み取り結果
The four known examples of recepticles in animal form, with removable heads,
have often been illustrated (21). When reproducing this bird, the artist gives
it characteristics that make it easily recognizable. The head big and round;
the beak curved, slightly notched at the end of the lower mandible; the large
eyes circled with feathers, and the eye-balls protruding; legs usually with feathers
down to the feet and hind-toes that can turn (22). This description agrees very
well with the four birds on a covered receptacle in the Loo collection (Pl. II,
Nos. 1 and 2). There are different names for this type ("I" and "Tsun"). The
way in which the surface is entirely covered with ornamentation reminds us of
the beginning of the Chou period. With the exception of the vertical ridges
in the middle and on the edge, only the eyes and beaks are in relief. The prefer-
ence for engraved ornamentation is already found in the bronzes from An-yang,
but chiefly in what was their model, the engraved bones from the same site.
This statement corresponds with the date chosen here.
An owl covers each half of the receptacle and each half of the lid. The charac-
teristics of this species which we have enumerated here, perfectly agree with
the typical stylization of archaic Chinese art. That the bird has some special
signification, there can be no doubt. According to the texts, Granet has
connected it with drum, casting, thunder and lightning (23). He also remarks
that an owl used to be sacrificed to Huang-Ti, first mythological sovereign of
China. Now arises the question whether the owl on this bronze could have
served as a totem, an ancestor and protector in animal form. Opinions differ
on the existance of totemism in China (24). At first one is not inclined to search
among the agricultural Chinese for any belief held by hunters, that is totemism.
This connection is reasonable, however, if one will bear in mind the association
and intermarriage of the Chinese with the barbarians. Our chief reason for
believing that the owl was derived from northern countries is that there it was
of extraordinary importance.
It may be found in nearly all parts of the eastern Steppes, chiefly in the valley
of the Minussinsk. There are also examples from western Siberia (25). Bronze
buttons have their surfaces covered with the owl's head. Reports on Siberian
schmanism help us to understand the reason for finding representations of this
night bird on such accessories. Nioradse writes that the "grand duke", a species
of owl, persecutes and devours evil spirits (26). "A schamane having the body
of a grand duke on his head is in this way protected from demons". A repre-
sentation of a sorcerer thus attired comes from the Ischimka river near Krasno-
jarsk (27). It has been possible to date this discovery through finding at the
same place Chinese mirrors of the second half of the I millennium of our era.
Here a man, primitively stylised, is flanked by two birds seen in profile, one of
which is broken. He has an owl-head as head-dress, the eyes of which show it
to be a definite type of bird and quite different from those which are at each side.
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