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| 0026 |
Sino-Siberian Art : vol.1 |
| 中国・シベリアの芸術品 : vol.1 |
引用情報
OCR読み取り結果
Tungus (4). On the other hand the western Hu belonged to a race of people
of whom Chinese texts speak as barbarians of the north and northwest :
Hiung-nus. Cahun believes the latter to be neither a nation nor a tribe, but
that the Chinese used this expression for all foreign peoples to the north of the
Huang-ho (5). According to recent discoveries they were a mixture of Tungus
and Mongols, the Mongol element dominating (6). The Hiung-nu came
into contact with the Chinese in the III century B.C. At first they were wel-
come allies against the Yue-chi, whom Franke considers Tungus, perhaps
identical to the Jung (7). According to Grousset the Yue-chi were of uncertain
race, but he believes they were Indo-Europeans related to the Scythians (8).
Towards the middle of the II century B.C., the Hiung-nu made decisive
victories. They chased the Yue-chi forever from the Chinese frontier. Part
of their uncontested domain lay inside of the Great Wall. Already in the Han
dynasty there are transitions in the peasant life of the Chinese of the hunting
and pastoral life of the barbarians. This fact constitutes the basis of a
hybrid art.
Towards 125 B.C. new conquerors in appeared Mongolia, the Sien-pi, a
Mongol tribe (9). The question of race now lost all importance for the peoples
of the Steppes, just as did, later, the question of religion. Behind these moving
ethnical groups constantly reinforced by new waves risen from the immense
territory of Eurasia, appeared one sole motive force, the instinct of rape. Even
in the VIII century A.D. the Turkish Bilga Khan had inscribed on the monument
erected to his honour : " Because the Turks were hungry they went to other
countries " (10). The Chinese Empire easily managed to withstand these hordes
just so long as they did not become too strong. They engaged them and payed
them as mercenaries, sent them against interior and exterior enemies, but also
one against the other. Cahun always maintains that these nations of horsemen
lacked all cultural inheritance. He grants them a certain importance, but only
as a violent intermediary between the two big centres at the beginning of our
era, between Persia on the west and China on the east (11). This author's state-
ments, however, do not concern art.
After the Han dynasty, the Chinese and the barbarians become more closely
connected. Once again it was the Hiung-nu who approached nearest to the
centre of civilization (12). The northwest of the Chinese frontier belonged to
them, while the Sien-pi held the northeast. One can find the same dissolution
and the same disorder in the two groups as reigned in China after the period of
the Han, due to frequent changes in dynasty. Such circumstances must have
favoured hybridism.
In the IV century A.D. there appeared on China's horizon a race of horse-
men, a people whose hearth should be sought for in the north of central Asia,
probably in the Altai. These were the Turks. One of their tribes, the T'o-pa,
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