国立情報学研究所 - ディジタル・シルクロード・プロジェクト
『東洋文庫所蔵』貴重書デジタルアーカイブ

> > > >
カラー New!IIIFカラー高解像度 白黒高解像度 PDF   日本語 English
0041 Sino-Siberian Art : vol.1
中国・シベリアの芸術品 : vol.1
Sino-Siberian Art : vol.1 / 41 ページ(カラー画像)

New!引用情報

doi: 10.20676/00000242
引用形式選択: Chicago | APA | Harvard | IEEE

OCR読み取り結果

be placed at the beginning of this period is astonishingly few. There is no sure
means of dating them VII or beginning of the VIII century. In spite of this fact,
the tradition has continued uninterrupted. Probably preceding forms survived
with but little change.
d) Sung period (around the year 1000 and the beginning of the II millennium).
The objects which correspond to Öngüt bronzes because of the condition of
their surfaces, are placed here. Then all that contain elements of Turkish and
Khirghise art. Finally all that can be connected with the Hungarian occupation
of land, and the related phenomenon of the west.
e) Yüan period (first half of II millenium). This period must be understood
in its largest sense. It may even be carried over the middle of the II millennium.
It embraces all objects that for technical or artistic reasons should be considered
late descendents.


NOTES OF CHAPTER V

(1) Soobtschenija.
(2) Nioradse, 1), p. 5.
(3) Pelliot, 4).
(4) Tallgren, 5).
(5) Teplouchoff.
(6) Tallgren, in Eurasia Septentrionalis Antiqua, III, p. 187.
(7) v. Merhart, p. 178.
(8) Fettich.