国立情報学研究所 - ディジタル・シルクロード・プロジェクト
『東洋文庫所蔵』貴重書デジタルアーカイブ
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| 0618 |
Innermost Asia : vol.1 |
| 極奥アジア : vol.1 |
引用情報
OCR読み取り結果
To L. of centre a sort of niche rising higher than upper
edge of top band and extending to lower border of lower
band. In niche sits a smiling 'Kylin', the body turned to
R. and head facing outward. Standing on head of Kylin,
in crouching pose a Caryatid figure with R. arm upraised
and L. on L. knee, supporting on head and R. hand a
cornice of several mouldings. Above upper band to R. of
centre, a vase with scroll-work indicated to R. and L.
Whole sketchy and pricked as a pounce. Paper rather
thick and becoming woolly at torn upper edge. Cut askew
at R. end ; L. end torn away. 14¾″×4″. Pl. LX.
K.K. II. 0275. f. Fr. of drawing on paper. Bold floral
ornament pricked for pouncing. Flowers seem to be
peonies. Torn at all edges and tattered. Paper moderately
stout and rather brittle, discoloured by age and darkened
by black pouncing powder. 11″×8¼″.
K.K. II. 0275. g. Fr. of paper, with printed straight-
lined labyrinth. Paper buff ; ragged. 10″×6″.
K.K. II. 0275. h. Fr. of drawing on paper. Rough
sketch showing a plain viewed from a high rocky fore-
ground. Trees grow from the rocks, and a group of trees
is in middle distance ; in far distance a forest (?). Torn
away at R. edge. Paper buff, torn and tattered. 16½″×7¼″.
K.K. II. 0275. i. Fr. of paper, with drawings or
tracings of two male figures, unconnected. One, an old
bald-headed man with long overhanging eyebrows, seated
¾ to L., elbows down and forearms flexed, palms up. Long
nails and muscular arms. Wears full robes open at chest ;
shoes and heavy earrings in elongated ear-lobes ; R. p.
shoulder bare.
Other figure, placed reverse way at opposite end of
paper, shows head and shoulders only of a rather similar
person facing ¾ to R. Face very finely drawn. Paper
dark buff, stained ; ragged. 12¾″×7″. Pl. LIX.
K.K. II. 0275. j. Fr. of paper in two pieces, with
drawing of part of kneeling or sitting figure. Both arms
extended straight downwards with hands on ground, L. p.
clenched ; R. p. probably with fingers spread. Drapery
voluminous, arms bare. Lower part of long straggling
beard shows at top of fr.
Extremely good drawing, especially L. p. arm and fist.
To R. appears sketch of another hand with long nails and
enveloped in drapery above wrist. Paper buff, thin and
very ragged. 3¼″×6¼″.
K.K. II. 0275. k. Fr. of paper, with drawing of small
piece of drapery. Probably part of K.K. II. 0275. j.
Paper buff ; ragged. 2¼″×2¼″.
K.K. II. 0275. l. Fr. of paper, with drawing of
head. Face rather long, eyes large, slanting and nearly
closed. Small moustache ; long ears ; short, very stylized,
closely curled hair shown in contour only with small
Uṣṇīṣa in centre ; Tilaka. Drawing poor and stiff. Paper
buff ; ragged. 4″×8¼″.
K.K. II. 0275. m. Four frs. of paper, with rough
sketches of parts of hands. Largest fr. has faint indications
of more elaborate drawing almost invisible. Gr. fr. 5″
×5″.
K.K. II. 0275. n. Three frs. of paper, two of which
join, showing faded sketches of a series of figures each
within a petal-shaped halo. First (L.) faces to R., kneels
on R. p. knee ; the other knee raised with heel of L. p. foot
resting on ground. It supports by both hands a large vase
with short neck and a broad-lipped cover, held at level
of head. Head-dress of cobras. No features drawn.
Second, which extends on to a second fr. of paper, is
a female, facing R., kneeling on R. p. knee, L. knee raised
and L. foot flat on ground. Body bends forward from hips
and head thrown back. Prominent breasts. L. p. hand
raised above head supporting small vase. On head seems
to be a crown of spikes. R. p. hand raised but torn away.
Face without features. Undulating bands float about
figure.
The next figure perhaps joins up with the previous one.
It is seated full face, the R. p. thigh resting on ground and
lower leg tightly flexed. L. p. hand raised supporting large
flower with face. R. p. hand seems to be held at
breast. Face missing.
Of the last figure only the R. p. half is present. It seems
to be the centre figure towards which the others incline ;
it is full face with head inclined to R. p. and has nimbus.
Appears to be seated on a lion with the soles of feet pressed
flat on each other. R. p. hand in Vara-mudrā. Behind
R. p. arm rises a wand with trident head issuing from a skull.
All the figures suggest Nepalese influence. One or
two written characters scattered across paper may be
Chinese.
On reverse of centre fr. is drawing of a large face, ¾ to
L., with Tilaka and downcast eyes. Paper grey ; ragged.
H. of paper 3¼″, combined length 9¼″. Pl. LXI.
K.K. II. 0275. o. Two frs. of paper, with drawing
of parts of large Chinese (?) characters. Between two of long sweeping
lines of folds five Chinese (?) characters. Paper dark ;
ragged. Gr. fr. 15¼″×4¼″.
K.K. II. 0275. p. Fr. of paper, with drawing of a mass
of drapery, perhaps lower part of seated figure. A single
character or device occurs on fold of drapery. Paper buff ;
ragged. 4¼″×7″.
K.K. II. 0275. q. Several frs. of paper, one having
impression of seated Buddha in Bhūmasparśa-mudrā ;
similar to K.K. II. 0293. a (Pl. LXV), but from different
block. Edge of baluster ornament to L. of column
of Hsi-hsia chars. and Padmāsana at bottom of page.
Other frs. have Hsi-hsia text only. Paper buff, torn at L.
edge ; margin for pasting at R. 8″×1″.
K.K. II. 0276. bbb. Fr. of paper stencil plate, cut
through double thickness of thin soft paper previously
used for writing. Pattern shows three motifs one above
other. Lowest suggests balustrade set out in square
panels, each panel perforated to leave in reserve a
'Union Jack' double cross. Next shows festoons of round
holes with suggestion of rosette at points of suspension
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667
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677
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684
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