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『東洋文庫所蔵』貴重書デジタルアーカイブ
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| 0338 |
Innermost Asia : vol.1 |
| 極奥アジア : vol.1 |
引用情報
OCR読み取り結果
textile style which preceded that shown by the rest of the L.C. animal figures, and in which strict
adherence to archaic tradition in subject and treatment was the dominant factor.
Cloud
scrolls and
floral
motifs. Among specimens of the second type of textile decoration mention may be made first of a few
fabrics ornamented only with cloud scrolls, such as have already become familiar to us as an
accessory feature in the designs discussed above. In the pattern of L.C. iii. 02 (Pl. XXXIV) a rich
effect is attained by the graceful grouping of several non-continuous cloud scrolls of the ' tree-
coral ' variety, set off by brilliant colours on bronze ground. The same description applies to the
pattern shown by the strips of rich figured silk forming the surface of the garment L.C. vii. 07.
In L.C. v. 014 the scrolls, of ' stepped ' outline, are too indistinct for the pattern to be made out in
detail. But there is a larger number of designs made up of floral motifs, whether worked up into
stylized scrolls or naturalistically treated. Of scrolls mainly floral in motif we have two interesting
examples. In the polychrome fabric, L.C. 03 (Pl. XXXV, XXXIX), of which there are more
fragments in L.C. 07. c, the unit, repeated both horizontally and vertically, is small but amply
articulated. It is made up mainly of scrolled stems and lily-like flowers, with a small duck
standing regardant between the latter on the top. The single lapidary Chinese character between
the repeats has been read by Chiang Ssŭ-yeh as 樂 lo, ' happy.'
Stylized
floral
shapes. The fine design shown by L.C. 02 (Pl. XXXV) is too elaborate for detailed analysis here, but can
be well studied in Mr. Andrews' drawing (Pl. XLI) with the help of his full description in the List.
It is of particular interest because it combines a variety of floral shapes, such as bell flowers, trailing
stems and roots; also geometrical elements, such as lozenge volutes, and even fantastic beast-like
forms. Mr. Andrews' artist eye recognizes in the whole 'a wonderfully ingenious pattern showing
perfect mastery of the design of an all-over treatment '.¹⁵ M. Goloubew too acknowledges the
perfection of the general effect, but is inclined to detect in the details indications of a certain
inexperience in the use of stylized plant forms, suggesting the birth of a new style.¹⁶ The fragment
L.C. iii. 020 with its fine floral pattern, including a stylized palmette on bell-shaped ground, is
too small to afford evidence on this point.
Floral
design in
embroidery. However this may be, it is important to note that we find the tendency towards the naturalistic
treatment of floral motifs, which is so marked in Chinese textile work of T'ang and later times,
attested already by designs of the embroidered silk fabrics from L.C. It is clearly seen in the
decoration of the embroidered comb-case, L.C. 033 (Pl. XLV), and also in the numerous fragments
of graceful embroidery described under L.C. vii. 04–5 (Pl. XXXV, XLIII). The piece used as a
cover for the badge-like pad L.C. v. 013 (Pl. XLV) is too small to give a definite notion of the
ornamental design used for the embroidery from which it was cut. Few as these specimens are,
they suffice to bear out what has been said elsewhere about the greater freedom in the use of
naturalistic floral design that is enjoyed by the embroiderer's needle, as compared with the tech-
nical limitations imposed by the weaver's loom.¹⁷
Geometric
designs. Among the ' geometric ' designs that form our third type, those showing various kinds of
lozenges, made up into an ' all-over ' lattice-work, are by far the most frequent. In some instances
the lozenges are diversified by the insertion of small rectangles or other simple geometric devices.
With a few exceptions only two colours are used.¹⁸ This restriction to two colours is observed
also in the remaining ' geometric ' designs. Among them we find an angular meander, L.C. vii. 02
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667
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