国立情報学研究所 - ディジタル・シルクロード・プロジェクト
『東洋文庫所蔵』貴重書デジタルアーカイブ
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カラー画像サムネイル -
目次 -
ページ番号 -
書誌情報（メタデータ） -
キャプション -
カラー画像 -
白黒高解像度画像 -
見開きページ -
グラフィック -
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On Ancient Central-Asian Tracks : vol.1 |
| 中央アジア踏査記 : vol.1 |
引用情報
OCR読み取り結果
kings arrayed in gorgeous dress and armour with their feet
resting on crouching demons. Their conception reaches far
back in the Buddhist mythology of India and their icono-
graphic representation can be traced from Graeco-Buddhist
art right through Central-Asian frescoes to the Far East.
On the painted pages of a paper album all four of them
are depicted, Vaisravana or Kuvera, ruling the North, with
his emblems, the halberd and a small model of a shrine;
Virupaksha, regent of the South, with the sword; Dhrita-
rashtra, of the East, with bow and arrows; Virudhaka, of
the West, with the mace.
Certain variations in the features and costume allow us to
distinguish between a quasi Central-Asian and a Chinese
type of representation adopted for these warrior kings. In one
of the numerous banners of Virupaksha (Fig. 99), Regent
of the South, we may note the fierce expression of the face,
the straight eyes, the long-waisted slim body of the probably
older type derived from Central Asia. The rich armour and
dress is shared also by the Chinese type, which shows softer
features with characteristically oblique eyes.
In a fine example of this type (Fig. 99) the sweeping
curve of the pose, the freedom imparted to the drawing by
the treatment of the flowing drapery, the hand raised with
fingers spread, are all expressive of qualities peculiar to
Chinese artistic feeling. I can allude only in passing to the
abundance of material for the study of ancient defensive
armour which these pictures supply.
Vaisravana, the Protector of the Northern Region, takes
foremost place among the Lokapalas of our paintings. This
is fully accounted for by the early Indian notion which
identifies him with Kubera, the Hindu god of wealth. He
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571
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578
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