国立情報学研究所 - ディジタル・シルクロード・プロジェクト
『東洋文庫所蔵』貴重書デジタルアーカイブ
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カラー画像サムネイル -
目次 -
ページ番号 -
書誌情報(メタデータ) -
キャプション -
カラー画像 -
白黒高解像度画像 -
見開きページ -
グラフィック -
| 0410 |
On Ancient Central-Asian Tracks : vol.1 |
| 中央アジア踏査記 : vol.1 |
引用情報
OCR読み取り結果
obviously painted from life by a very skilled hand. The face
and pose admirably express pious devotion. The lady's cos-
tume, with its pleated skirt and high empire waist, as well
as her hair plainly done in a small knot on the neck, repre-
sent an early fashion closely resembling that seen in the
embroidery hanging. It is, in fact, found on certain Chinese
relievos of the seventh century.
Quite a number of characteristic peculiarities of this pic-
ture is shared by another large silk painting of Amitabha
Buddha's Paradise. Here, too, we see the central Buddha
seated on a lotus and flanked by his two principal Bodhi-
sattvas and their attendants. From the lake on which the
lotus floats there rise lotus buds enveloping pious souls
about to be re-born. By the side of a panel intended for an
inscription which has never been written in, there are
shown small figures kneeling, two donors on the right and
a lady on the left. The costume and hair-dress of the lady
shows the closest resemblance to that of the fine figure of
the donatrix we have seen before.
The two pictures we have just examined with their com-
paratively simple schemes make it easier for us to make out
the details and appreciate the artistic execution of the more
elaborate paintings which show Buddhist Heavens. The one
seen in Fig. 108 introduces to us the Paradise of Bhaishajya-
guru, the Buddha of Medicine.
In the middle we see the presiding Buddha seated on a
lotus, in the pose of 'Argumentation', and by his side the
Bodhisattvas Samantabhadra and Manjusri surrounded by
smaller attendant Bodhisattvas, all richly attired and with
nimbuses. Immediately behind the Buddha, four saintly
disciples are shown with the close-cropped hair of monks.
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57
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68
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89
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100
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111
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466
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477
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491
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502
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513
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525
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537
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550
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561
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571
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578
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