国立情報学研究所 - ディジタル・シルクロード・プロジェクト
『東洋文庫所蔵』貴重書デジタルアーカイブ

> > > >
カラー New!IIIFカラー高解像度 白黒高解像度 PDF グラフィック   日本語 English
0243 Ruins of Desert Cathay : vol.2
中国砂漠地帯の遺跡 : vol.2
Ruins of Desert Cathay : vol.2 / 243 ページ(カラー画像)

キャプション

[Photo] 189 王道士の寺院の開廊にある近代のフレスコ画.玄奘の冒険が描かれている.王道士が左に立っている.MODERN FRESCOES IN LOGGIA OF WANG TAO-SHIH'S TEMPLE, REPRESENTING ADVENTURES OF HSÜAN-TSANG. Wang Tao-shih standing on left.
[Photo] 190 王道士の寺院の開廊にいるチベット人僧侶.「千仏洞」にて.TIBETAN MONK IN LOGGIA OF WANG TAO-SHIH'S TEMPLE, 'THOUSAND BUDDHAS' SITE.

New!引用情報

doi: 10.20676/00000213
引用形式選択: Chicago | APA | Harvard | IEEE

OCR読み取り結果

built loggia in front of the tem
pride how he had caused all its fr
a local Tun-huang artist with a few
old frescoes representing characters
pilgrim's adventures (Figs. 189, 190
and legends which have transform
popular belief throughout China
manners and biography. It is true they are not to
nor in our respective concentra
Usually I let my delightfully credi
suitable talk the wonderful story
famous panel depicted. Here the h
climbed up to the clouds by a wil
turned again to his pious compan
of his prayer or magic. Two gre
the horses, one bull-headed—were s
pleasant attendants. Elsewhere fo w
famous dragon which had swallowed
gun, and so on.
In which I displayed particular inte
curiously adapted to our own case, tha
that I appealed again and again to
There was T'ang-sêng standing on t
ment, and beside him his faithful se
of manuscripts. To help in ferr
burden a large turtle was se
is the pilgrim. Here was clea
seventy pier-loads of sacred books a
historical traveller managed to carry
But would the pious guardian real
and be willing to acquire sym
to take back to the old home of Budd
manuscripts which chance had pla
For the time being it seemed si
a question. Yet when I took my le
instinctively felt that a new and tr
ning established between us.