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0304 Ruins of Desert Cathay : vol.2
中国砂漠地帯の遺跡 : vol.2
Ruins of Desert Cathay : vol.2 / 304 ページ(カラー画像)

New!引用情報

doi: 10.20676/00000213
引用形式選択: Chicago | APA | Harvard | IEEE

OCR読み取り結果

decoration is unmistakable [text obscured/faded]
on that account. But [text obscured/faded]
the general scheme, was [text obscured/faded]
like their iconographic [text obscured/faded]
Indian and Central-Asia[text obscured/faded]
it is an interesting [text obscured/faded]
the photographs I took [text obscured/faded]
Buddhas' caves, that [text obscured/faded]
are reproductions of the [text obscured/faded]
A good idea of the [text obscured/faded]
gained from the painting [text obscured/faded]
in Plate VIII. Here [text obscured/faded]
Manjusri riding on [text obscured/faded]
On the left is Samanta[text obscured/faded]
or [text obscured/faded] that by [text obscured/faded]

*Plate IX.*

ANCIENT EMBROIDERY PICTURE ON SILK, SHOWING BUDDHA
BETWEEN DISCIPLES AND BODHISATTVAS, WITH THE DONORS IN
ADORATION BELOW. DISCOVERED AT THE 'CAVES OF THE
THOUSAND BUDDHAS,' TUN-HUANG.

(CHAP. LXVIII. SCALE, ONE-TWELFTH).

[text obscured/faded throughout remainder of page]
Chinese justice, while [text obscured/faded]
an armful of sacred [text obscured/faded]
Buddha, evidently to [text obscured/faded]
I have left myself [text obscured/faded]
quasi-pictorial art re[text obscured/faded]
chapel, though their [text obscured/faded]
view is great. I mean [text obscured/faded]
important among those [text obscured/faded]
[text obscured/faded] feet high, which [text obscured/faded]