国立情報学研究所 - ディジタル・シルクロード・プロジェクト
『東洋文庫所蔵』貴重書デジタルアーカイブ

broken off just below edge of finial where it has begun to
form two diverging bars. Diam. 2½".

Mi. vii. 0010. Stucco relief fr. Rosette with seven
pointed and veined petals within a bead border. The
whole painted light green. Diam. 1⅝".

Mi. vii. 0011. Stucco relief fr. Finial like Mi. vii. 009.
One side missing. Border pink, petals red, centre orange.
Diam. 2⅜".

Mi. vii. 0012-13. Stucco relief frs. Two rosettes,
having bossed centre within raised ring, and bead border.
0013 painted vermilion; 0012 shows remains of dark red.
0012, diam. 1⅜"; 0013, 1⁷⁄₁₆".

Mi. vii. 0014. Stucco relief. Possibly front view of
flying bird, much conventionalized, or possibly profile view
of conventional flower; cf. Yo. 00176; Khot. 007. Upper
part and tail formed of bosses in relief. All detail lost.
H. 2⅜".

Mi. vii. 0015. Half of wooden lotus block, as Mi. v.
006, 0010. Central boss broken off. Cup red with
black rim and black bottom. Surface of square (not
extending to edge) light green; square dowel hole behind.
Cut across diagonal. Sides and back black. Length of
side 7⅜", 1⅜" to 2⅜" thick; diam. of boss 5⅜".

Mi. vii. 0016, 0018. Painted wooden panel in two
pieces, showing standing Buddha, similar to Mi. vii. 0017,
but with L. hand hanging at side. Padmāsana green,
background maroon (Mi. vii. 0016 almost effaced). In lower
R. corner of 0018 stands small hairy animal, white out-
lined black, with clawed feet and camel-like neck, looking
up at Buddha. Buddha's flesh shaded with purple-pink.
Work good. 0016, 16"×3⅜"×⅜". 0018, 16"×2⅜"×⅜".

Mi. vii. 0017. Painted wooden panel. One edge split
off and charred. Shows standing Buddha on white
Padmāsana. Red robe, outlined red-brown, green under-
garment outlined black, visible at ankles; L. hand at
breast, thumb and finger together in attitude of argument.
Nimbus in rings of red (outer), green, and pink; and
vesica of red (outer), green, shaded purple, green, purple-
brown, and green (inner); coloured bands divided by white
lines. Outer edges, black. Flesh outlined red. Much
abraded and head perished. Colour very soft and powdery.
16½"×5⅜"×⅜".

Mi. vii. 0019. Painted wooden panel in Indian style,
complete and in good condition. The return edge at each
side shows the edge of painting from panels set at right
angles to this one. The latter itself represents a Bodhi-
sativa seated upon throne under flattened horseshoe arch.
His R. hand at breast in vitarka-mudrā; his L. beside it,
upright, with palm to breast and second and third fingers
slightly bent. Face full, with straight eyes and grey-blue
hair falling on shoulders; body broad-shouldered and
slim-waisted; flesh painted dark-purple pink, shaded
with red and outlined with reddish brown; eyebrows,
eyelashes, and outlines of hair black.

Dress consists of grey robe or skirt enveloping the legs,
a white girdle outlined with orange, and a grey-green scarf
across breast. Jewellery of heavy necklace and ear-rings
painted in orange, and bracelets and armlets (with a green
jewel) represented only by red-brown lines; as are also the
sandals. The massive tiara is in buff outlined red, with
triple jewel in front (see the Indian Bodhisatvas on the
Ch'ien-fo-tung banners, Ch. lv. 007, etc.) and streamers of
red-brown drapery spreading downwards from each side
and looped round arms.

Legs crossed at ankles and feet turned down with tips
of toes only reaching ground (cf. Grünwedel, Buddhist
Art in India, Fig. 139); under them a conventional lotus.
The circular halo and oval vesica have orange and dark-
red borders, and copper-green centres covered with zigzag
rays, respectively of red-brown and yellowish green; back-
ground of niche grey. The throne is a plain oblong seat, the
front divided into sq. panels subdivided by their diagonals into
variegated triangles. The arch is painted in buff and orn.
with a series of outline circles in reddish brown, and has
scrolled ends. Capitals of pillars are shaped like inverted
thistle-heads; bases the same, resting upon spheres,
which are again protected by semicircular members rising
from ground.

Half an inch of panel left bare at top and bottom,
apparently for a covering framework. R. bottom corner
is charred. Broken in three pieces, but joined;
surface in excellent condition except towards lower edge.
15⅜"×10⅜"×⅜". Pl. CXXIV.

Mi. vii. 0020-3. Four stucco relief frs. of floating
drapery, white with orange lines in folds. Flat treatment.
Gr. M. 6".

Mi. vii. 0024. Frs. of painted plaster, backed with
string matting, over clay mixed with straw. Surface con-
cave; design undistinguishable, in black, pink, and blue.
Plaster 6"×4⅜"; matting 16"×8".

Mi. vii. 0025. Fresco fr. showing upper half of seated (?)
Buddha. Outlines and details black. Flesh pink, robe
red-brown, vesica green with yellow outline, bordered
with flame in red-brown on buff, on pink, on red. Outside
again green. Careless work. Gr. M. 3⅜". Pl. XII
(wrongly marked Mi. vii. 0022).

Mi. ix. 001. Carved wooden panel, semicircular in
cross-section, with rounded back and flat front, except
for 2" at lower end, where surface rises towards middle
forming a two-sided projection triangular in cross-section.
The sides of this projection form niches in which are carved
small figs.; on L. a standing Buddha (?), with uṣṇīṣa but
unhaloed, holding a staff in R. hand; L. hand, prob. with
bowl, broken off; on R. two men kneeling with hands in
adoration.

On flat front above two other groups of figs. in relief,
one above the other. The upper group consists of a
Buddha and attendant holding umbrella. Both standing
¾ to R. Buddha has halo, uṣṇīṣa, and elongated ears, but