国立情報学研究所 - ディジタル・シルクロード・プロジェクト
『東洋文庫所蔵』貴重書デジタルアーカイブ
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The Book of Ser Marco Polo : 2冊 |
マルコ=ポーロ卿の記録 : 2冊 |
ILLUSTRATIONS
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- EXPLANATORY LIST OF ILLUSTRATIONS TO VOLUME I.
- INSERTED PLATES AND MAPS
- To face Title PORTRAIT of Sir HENRY YULE. From the Painting by Mr. T. B. Wirgman, in the Royal Engineers' Mess House at Chatham. To face Title
- ii Medallion representing the POLOS ARRIVING AT VENICE after 26 years' absence, and being refused admittance to the Family Mansion ; as related by Ramusio, p. 4 of Introductory Essay. Drawn by Signor QUINTO CENNI, of Milan ; from a design by Sir HENRY YULE. ii
- 1 DOORWAY of the HOUSE of MARCO POLO in the Corte Sab-bionera at Venice (see p. 27). Woodcut from a drawing by Signor L. Rosso, Venice.
facing 1
- 26 Corte del Milione, Venice.
facing 26
- 28 Malibran Theatre, Venice. facing 28
- 30 Entrance to the Corte del Milione, Venice. From photographs
taken for the present editor, by Signor NAYA. facing 30
- 42 Figures from St. Sabba's, sent to Venice. From a photograph of Signor NAYA.
facing 42
- 50 Church of SAN MATTEO, at Genoa. facing 50
- 62 Palazzo di S. Giorgio, at Genoa. facing 62
- 68 Miracle of S. Lorenzo. From the Painting by V. CARPACCIO. facing 68
- 70 FACSIMILE of the WILL of MARCO POLO, preserved in St. Mark's Library. Lithographed from a photograph specially taken by Bertani at Venice.
facing 70
- 74 Pavement in front of S. Lorenzo. facing 74
- 76 Mosaic Portrait of Marco Polo, at Genoa. facing 76
- 78 The Pseudo Marco Polo at Canton. facing 78
- 80 Porcelain Incense-Burner, from the Louvre. facing 80
- 82 Temple of 500 Genii, at Canton, after a drawing by FÉLIX RÉGAMEY. facing 82
- 108 Probable view of MARCO POLO'S OWN GEOGRAPHY : a Map of the World, formed as far as possible from the Traveller's own data. Drawn by the Editor. facing 108
- 134 Part of the Catalan Map of 1375. facing 134
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- 1 Marco Polo's Itineraries, No. I. WESTERN ASIA. This includes also "Sketch showing the chief Monarchies of Asia, in the latter part of the 13th century." facing 145
- 4 Map illustrating the geographical position of the CITY of SARAI. Plan of part of the remains of the same city. Reduced from a Russian plan published by M. Grigorieff facing 4
- 29&30 Reduced FACSIMILE of the BUDDHIST INSCRIPTION of the Mongol Era, on the Archway at KIU-YONG KWAN in the Pass of Nan-k'au, north-west of Peking, showing the characters in use under the Mongol Dynasty. Photogravure from the Recueil des documents de l'Epoque Mongole, by H. H. Prince ROLAND BONAPARTE. See an Article by Mr. Wylie in the J. R. A. S. for 1870, p. 14. facing 29
- 41 Plan of AYAS, the Laias of Polo. From an Admiralty Chart. Plan of position of DILÁWAR, the supposed site of the Dilavar of Polo. Ext. from a Survey by Lt.-Col. D. G. Robinson, R.E. facing 41
- 114 Marco Polo's Itineraries, No. II. Routes between KERMAN and HORMUZ. facing 114
- 178 Marco Polo's Itineraries, No. III. Regions on and near the UPPER OXUS. facing 178
- 305 Heading, in the old Chinese seal-character, of an INSCRIPTION on a Memorial raised by Kúblái Kaan to a Buddhist Ecclesiastic, in the vicinity of his summer-palace at SHANGTU in Mongolia. Reduced from a facsimile obtained on the spot by Dr. S. W Bushell, 1872, and by him lent to the Editor. facing 305
- 319 The CHO-KHANG. The grand Temple of Buddha at Lhasa, from The Journey to Lhasa, by SARAT CHANDRA DAS, by kind permission of the Royal Geographical Society. facing 319
- 352 "Table d'Or de Commandement; " the PAÏZA of the MONGOLS, from a specimen found in Siberia. Reduced to one-half the scale of the original, from an engraving in a paper by I. J. Schmidt in the Bulletin de la Classe Historico-Philologique de l'Acad. Imp. des Sciences, St.-Pétersbourg, tom. iv. No. 9. facing 352
- 355 Second Example of a Mongol PaÏza with superscription in the Uighúr character, found near the Dnieper River, 1845. From Trans. of the Oriental Section, Imp. Soc. of Archcœology of St. Petersburg, vol. v. The Inscription on this runs : "By the strength of Eternal Heaven, and thanks to Its Great Power, the Man who obeys not the order of Abdullah shall be guilty, shall die." facing 355
- 376 Plan of PEKING as it is, and as it was about A.D. 1290. NN. 376
- 426 BANK-NOTE of the MING Dynasty, on one-half the scale of the original. Reduced from a genuine note in the possession of the British Museum. Was brought back from Peking after the siege of the Legations in 1900. facing 426
- 448 Mongol "Compendium Instrument." facing 448
- 450 Mongol Armillary Sphere. facing 450
- 452 Observatory Terrace. facing 452
- 454 Observatory Instruments of the Jesuits. All these from photographs kindly lent to the present Editor by Count de Semallé. facing 454
- last page Marco Polo's Itineraries. No. IV. EASTERN ASIA. This includes also Sketch Map of the Ruins of SHANGTU, after Dr. BUSHELL ; and Enlarged Sketch of the Passage of the Hwang-ho or Karamoran on the road to Si-ngan fu (see vol. ii. pp. 25-27) from the data of Baron von Richthofen. Map
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- WOODCUTS PRINTED WITH THE TEXT
- INTRODUCTORY NOTICES.
- x. A MEDIÆVAL SHIP. x
- xxvi. COAT OF ARMS of Sir HENRY YULE. xxvi.
- 7 ARMS of the POLO family, according to Priuli. 7
- 8 ARMS of the POLO family, according to Marco Barbaro. (See p. 7, note.) 8
- 13 Autograph of HETHUM or HAYTON I. King of (Cicilian) Armenia ; copied from Codice Diplomatico del Sacro Militare Ordine Gerosolemitano, I. 135. The signature is attached to a French document without date, granting the King's Daughter "Damoiselle Femie" (Euphemia) in marriage to Sire Julian, son of the Lady of Sayete (Sidon). The words run : Thasávor Haiwetz ("Rex Armenorum"), followed by the King's cypher or monogram ; but the initial letter is absent, probably worn off the original document. 13
- 18 The PIAZZETTA at VENICE in the 14th century. From a portion of the Frontispiece Miniature of the MS. of Marco Polo in the Bodleian. (Borrowed from the National Miscellany, published by J. H. Parker, Oxford, for 1853-55 ; and see Street's Brick and Marble, etc., 1855, pp. 150-151.) [See vol. ii. p. 529.] 18
- 29 Three extracts from MAPS of VENICE, showing the site of the CA' POLO at three different periods. (1) From the great woodcut Map or View of Venice, dated 1500, and commonly called Albert Dürer's. (2) From a Plan by Cav. Ludovico Ughi, 1729. (3) From the Modern Official Plan of the City. 29
- 34 Diagram of arrangement of oars in galleys. 34
- 35 Extract from a fresco by SPINELLO ARETINI, in the Municipal Palace at SIENA, representing a GALLEY-FIGHT (perhaps imaginary) between the Venetians and the fleet of the Emperor Frederick Barbarossa, and illustrating the arrangements of mediæval galleys. Drawn from a very dim and imperfect photograph, after personal study of the original, by the Editor. 35
- 37 Extract from a picture by DOMENICO TINTORETTO in the Ducal Palace at Venice, representing the same GALLEY-FIGHT. After an engraving in the Theatrum Venetum. 37
- 49 MARCO POLO'S GALLEY going into action at CURZOLA. Drawn by Signor Q. CENNI, from a design by the Editor. 49
- 50 Map to illustrate the SEA-FIGHT at CURZOLA, where Marco Polo was taken prisoner. 50
- 57 SEAL of the PISAN PRISONERS in Genoa, after the battle of Meloria (1284). From Manni, Osservazioni Storiche sopra Sigilli Antichi, tom. xii. Engraved by T. ADENEY. 57
- 75 The Convent and CHURCH of S. LORENZO, the burial-place of Marco Polo, as it existed in the 15th century. From the Map of 1500 (see above). Engraved by the same. 75
- 78 Arms of the TREVISAN family, according to Priuli. 78
- 120 TAILED STAR near the Antarctic, as Marco Polo drew it for Pietro d'Abano. From the Conciliator of Pietro d'Abano. 120
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- PROLOGUE.
- 3 Remains of the Castle of SOLDATA or Sudák. After Dubois de Montpereux, Voyage autour du Caucase, Atlas, 3d s. Pl. 64. 3
- 7 Ruins of BOLGHAR. After Demidoff, Voyage dans la Russie Méridionale, Pl. 75. 7
- 15 The GREAT KAAN delivering a GOLDEN TABLET to the two elder Polos. From a miniature in the Livre des Merveilles du Monde (Fr. 2810) in the Library at Paris, fol. 3 verso. 15
- 16 Castle of AYAS. After Langlois, Voyage en Cilicie. 16
- 18 Plan of ACRE as it was when lost (A. D. 1291). Reduced and translated from the contemporary plan in the Secreta Fidelium Crucis of Marino Sanudo the Elder, engraved in Bongars, Geste Dei per Francos, vol. ii. 18
- 21 Portrait of Pope GREGORY X. After J. B. de Cavaleriis Pontificum Romanorum Effigies, etc. Romæ, 1580. 21
- 37 Ancient CHINESE WAR VESSEL. From the Chinese Encyclopædia called San-Thsai-Thou-Hoei, in the Paris Library. 37
- BOOK FIRST.
- 42 Coin of King HETUM I. and Queen ISABEL of Cilician Armenia. From an original in the British Museum. Engraved by ADENEY. 42
- 48 Castle of BAIBURT. After Texier, L'Arménie, Pl. 3. 48
- 51 Mediæval GEORGIAN FORTRESS. From a drawing by Padre CRISTOFORO DI CASTELLI of the Theatine Mission, made in 1634, and now in the Communal Library at Palermo. The name of the place has been eaten away, and I have not yet been able to ascertain it. 51
- 55 View of DERBEND. After a cut from a drawing by M. Moynet in the Tour du Monde, vol. i. 55
- 61 Coin of BADRUDDÍN LOLO of Mosul (A.H. 620). After Marsden's Numismata Orientalia, No. 164. By ADENEY. 61
- 76 GHÁZÁN Khan's Mosque at TABRIZ. Borrowed from Fergusson's History of Architecture. 76
- 95 KASHMIR SCARF with animals, etc. After photograph from the scarf in the Indian Museum. 95
- 100 Humped Oxen from the Assyrian Sculptures at Kouyunjik. From Rawlinson's Ancient Monarchies. 100
- 102 Portrait of a Hazara. From a Photograph, kindly taken for the purpose, by M. -Gen. C. P. Keyes, C.B., Commanding the Panjáb Frontier Force. 102
- 116-118 Illustrations of the use of the DOUBLE RUDDER in the Middle Ages. 7 figures, viz., No. 1, The Navicello of Giotto in the Porch of St. Peter's. From Eastlake's H. of Painting ; Nos. 2 and 3, from Pertz, Scriptores, tom. xviii. after a Genoese Chronicle ; No. 4, Sketch from fresco of Spinello Aretini at Siena ; No. 5, Seal of Port of Winchelsea, from Sussex Archœological Collections, vol. i. 1848 ; No. 6, Sculpture on Leaning Tower at Pisa, after Jal, Archéologie Navale ; No. 7, from the Monument of Peter Martyr, the persecutor of the Lombard Patarini, in the Church of St. Eustorgius at Milan, after Le Tombe ed i Monumenti Illustri d'Italia, Mil. 1822-23. 116
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- 134 The ARBRE SEC, and ARBRES DU SOLEIL ET DE LA LUNE. From a miniature in the Prose Romance of Alexander, in the Brit. Museum MS. called the Shrewsbury Book (Reg. xv. e. 6). 134
- 137 The CHINÁR or Oriental Plane, viz., that called the Tree of Godfrey of Boulogne at Buyukdéré, near Constantinople. Borrowed from Le Monde Végétal of Figuier. 137
- 147 Portrait of H. H. AGHA KHÁN MEHELÁTI, late representative of the OLD MAN of the MOUNTAIN. From a photograph by Messrs. SHEPHERD and BOURNE. 147
- 159 Ancient SILVER PATERA of debased Greek Art, formerly in the possession of the Princes of BADAKHSHAN, now in the India Museum. 159
- 167 Ancient BUDDHIST Temple at Pandrethan in KÁSHMIR. Borrowed from Fergusson's History of Architecture. 167
- 176 Horns of the OVIS POLI, or Great Sheep of Pamir. Drawn by the Editor from the specimen belonging to the Royal Asiatic Society. 176
- 177 Figure of the OVIS POLI, or Great Sheep of Pamir. From a drawing by Mr. Severtsof in a Russian publication. 177
- 180 head of a native of KASHGAR. After Verchaguine. From the Tour du Monde. 180
- 181 View of KASHGAR. From Mr. R. Shaw's Tartare. 181
- 184 View of SAMARKAND. From a Sketch by Mr. D. IVANOFF, engraved in a Russian Illustrated Paper (kindly sent by Mr. I. to the editor). 184
- 221 Colossal Figure ; BUDDHA entering NIRVANA. Sketched by the Editor at Pagán in. Burma. 221
- 222 Great LAMA MONASTERY, viz., that at Jehol. After Staunton's Narrative of Lord Macartney's Embassy. 222
- 224 The Kyang, or WILD ASS of Mongolia. After a plate by Wolf in the Journal of the Royal Zoological Society. 224
- 229 The Situation of Karákorum. 229
- 230 Entrance to the Erdeni Tso, Great Temple. From MARCEL MONNIER'S Tour d'Asie, by kind permission of M. PLON. 230
- 244 Death of Chinghiz Khan. From a Miniature in the Livre des Merveilles. 244
- 253 Dressing up a Tent, from MARCEL MONNIER'S Tour d'Asie, by kind permission of M. PLON. 253
- 255 Mediæval TARTAR HUTS and WAGGONS. Drawn by Sig. QUINTO CENNI, on a design compiled by the Editor from the descriptions of mediæ val and later travellers. 255
- 258 Tartar IDOLS and KUMIS Churn. Drawn by the Editor after data in Pallas and Zaleski (Vie des Steppes Kirghiz). 258
- 273 The SYRRHAPTES PALLASII ; Bargherlac of Marco Polo. From a plate by Wolf in the Ibis for April, 1860. 273
- 280 REEVES'S PHEASANT. After an engraving in Wood's Illustrated Natural History. 280
- 293 The RAMPART of GOG and MAGOG. From a photograph of the Great Wall of China. Borrowed from Dr. Rennie's Pekin and the Pekingese. 293
- 307 A PAVILION at Yuen-Ming-Yuen, to illustrate the probable style of Kúblái Kaan's Summer Palace. Borrowed from Michie's Siberian Overland Route. 307
- 317 CHINESE CONJURING Extraordinary. Extracted from an engraving in Edward Melton's Zeldzaame Reizen, etc. Amsterdam, 1702. 317
- 320 A MONASTERY of LAMAS. Borrowed from the Tour du Monde. 320
- 326 A TIBETAN BACSI. Sketched from the life by the Editor. 326
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- BOOK SECOND. ──PART FIRST.
- 340 NAKKARAS. From a Chinese original in the Lois des Empereurs Mandchous (Thai-Thsing-Hoei-Tien- Thou), in the Paris Library. 340
- 341 NAKKARAS. After one of the illustrations in Blochmann's edition of the Ain-i-Akbari. 341
- 352 Seljukian Coin, with the LION and the SUN (A. H. 640). After Marsden's Numismata Orientalia, No. 98. Engraved by ADENEY. 352
- 355 Sculptured GERFALCON from the Gate of Iconium. Copied from Hammer's Falknerklee. 355
- 357 Portrait of the Great KAAN KÚBLÁI. From a Chinese engraving in the Encyclopædia called San-Thsai- Thou-Hoei ; in the Paris Library. 357
- 367 Ideal Plan of the Ancient Palaces of the Mongol Emperors at Khanbaligh, according to Dr. Bretschneider. 367
- 369 Palace at Khan-baligh. From the Livre des Merveilles. 369
- 369 The WINTER PALACE at PEKING. Borrowed from Fergusson's History of Architecture. 369
- 371 View of the "GREEN MOUNT." From a photograph kindly lent to the present Editor by Count de SEMALLÉ. 371
- 373 The Yüan ch'eng. From a photograph kindly lent to the present Editor by Count de SEMALLÉ. 373
- 376 South GATE of the "IMPERIAL CITY" at Peking. From an original sketch belonging to the late Dr. W. Lockhart. 376
- 399 The BÛRGÚT EAGLE. After Atkinson's Oriental and Western Siberia. 399
- 409 The TENTS of the EMPEROR K'ien-lung. From a drawing in the Staunton Collection in the British Museum. 409
- 413 Plain of CAMBALUC ; the City in the distance ; from the hills on the north-west. From a photograph. Borrowed from Dr. Rennie's Peking. 413
- 458 The Great TEMPLE OF HEAVEN at Peking. From Michie's Siberian Overland Route. 458
- 463 MARBLE ARCHWAY erected under the MONGOL DYNASTY at Kiu-Yong Kwan in the Nan-k'au Pass, N.W. of Peking. From a photograph in the possession of the present Editor. 463
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- EXPLANATORY LIST OF ILLUSTRATIONS TO. VOLUME II.
- INSERTED PLATES AND MAPS.
- Portrait bearing the inscription "MARCUS POLVS VENETVS TOTIVS ORBIS ET INDIE PEREGRATOR PRIMVS." In the Gallery of Monsignor Badia at Rome ; copied by Sign. GIUSEPPE GNOLI, Rome. @
- Medallion, representing Marco Polo in the PRISON of GENOA, dictating his story to Master RUSTICIAN of PISA, drawn by Signor QUINTO CENNI from a rough design by Sir HENRY YULE. i
- The celebrated CHRISTIAN INSCRIPTION OF SI-NGAN FU. Photolithographed by Mr W. GRIGG, from a Rubbing of the original monument, given to the Editor by the Baron F. von Richthofen. facing 28
- The LAKE of TALI (CARAJAN of Polo) from the Northern End. Woodcut after Lieut. DELAPORTE, borrowed from Lieut. GARNIER'S Narrative in the Tour du Monde. facing 78
- Suspension Bridge, neighbourhood of TALI. From a photograph by M. Tannant. facing 80
- The CITY of MIEN, with the Gold and Silver Towers. From a drawing by the Editor, based upon his sketches of the remains of the City so called by Marco Polo, viz., PAGÁN, the mediæval capital of Burma. facing 110
- Itineraries of Marco Polo. No. V. The INDO-CHINESE COUNTRIES. With a small sketch extracted from a Chinese Map in the possession of Baron von Richthofen, showing the position of KIEN-CH'ANG, the Caindu of Marco Polo. facing 131
- Sketch Map exhibiting the VARIATIONS of the TWO GREAT RIVERS of China, within the Period of History. facing 144
- The CITY of SU-CHAU. Reduced by the Editor from a Rubbing of a Plan incised on Marble, and preserved in the Great Confucian Temple in the City. facing 182
- Map of HANG-CHAU FU and its LAKE, from Chinese Sources. facing 193
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- Plan of SOUTHERN PART of the CITY of KING-SZÉ (or Hang-chau), with the PALACE of the SUNG EMPERORS. From a Chinese Plan forming part of a Reprint of the official Topography of the City during the period Hien-Shun (1265-1274) of the Sung Dynasty, i.e. the period terminated by the Mongol conquest of the City and Empire. Mr. Moule, who possesses the Chinese plan (with others of the same set), has come to the conclusion that it is a copy at second-hand. Names that are underlined are such as are preserved in the modern Map of Hang-chau. I am indebted for the use of the original plan to Mr. Moule ; for the photographic copy and rendering of the names to Mr. Wylie. facing 212
- Sketch Map of the GREAT PORTS of FO-KIEN, to illustrate the identity of Marco Polo's ZAYTON. Besides the Admiralty Charts and other well-known sources the Editor has used in forming this a " Missionary Map of Amoy and the Neighbouring Country," on a large scale, sent him by the Rev. Carstairs Douglas, LL. D., of Amoy. This contains some points not to be found in the others. facing 240
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- Itineraries of MARCO POLO, No. VI. The Journey through KIANG-NAN, CHE-KIANG, and FO-KIEN. NN. 245
- 1 Map to illustrate Marco Polo's Chapters on the MALAY COUNTRIES. facing 312
- 2 Map to illustrate his Chapters on SOUTHERN INDIA. facing 312
- 1 Sketch showing the Position of KÁYAL in Tinnevelly. facing 374
- 2 Map showing the Position of the Kingdom of ELY in MALABAR. facing 374
- ADEN, with the attempted Escalade under Alboquerque in 1513, being the Reduced Facsimile of a large contemporary Wood Engraving in the Map Department of the British Museum. (Size of the original 42 1/2 inches by 19 1/8 inches.) Photolithographic Reduction by Mr. G. B. PRAETORIUS, through the assistance of R. H. Major, Esq. facing 440
- Facsimile of the Letters sent to PHILIP the FAIR, King of France, by ARGHÚN KHAN, in A.D. 1289, and by OLJAÏTU, in A.D. 1305, preserved in the Archives of France, and reproduced from the Recueil des Documents de l'Epoque Mongole by kind permission of H.H. Prince ROLAND BONAPARTE. facing 474
- Some of the objects found by Dr. M. A. Stein, in Central Asia. From a photograph kindly lent by the Traveller. facing 595
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- WOODCUTS PRINTED WITH THE TEXT.
- BOOK SECOND.─PART SECOND.
- The BRIDGE Of PULISANGHIN, the Lu-ku-k'iao of the Chinese, reduced from a large Chinese Engraving in the Geographical work called Ki-fu-thung-chi in the Paris Library. I owe the indication of this, and of the Portrait of Kúblái Kaan in vol. i. to notes in M. Pauthier's edition. 4
- The BRIDGE of PULISANGHIN. From the Livre des Merveilles. 5
- BRIDGE of LU-KU-K'IAO. From a photograph by Count de SEMALLÉ. 7
- BRIDGE of LU-KU-K'IAO. From a photograph by Count de SEMALLÉ. 9
- The Roi D'OR. Professed Portrait of the Last of the Altun Khans or Kin Emperors of Cathay, from the (fragmentary) Arabic Manuscript of Rashiduddin's History in the Library of the Royal Asiatic Society. This Manuscript is supposed to have been transcribed under the eye of Rashiduddin, and the drawings were probably derived from Chinese originals. 19
- Plan of Ki-chau, after Duhalde. 26
- The CROSS incised at the head of the GREAT CHRISTIAN INSCRIPTION of SI-NGAN FU (A.D. 781) ; actual size, from copy of a pencil rubbing made on the original by the Rev. J. Lees. Received from Mr. A. Wylie. 30
- Diagram to elucidate the cities of Ch'êng-tu fu. 38
- Plan of Ch'êng-tu. From MARCEL MONNIER'S Tour d'Asie, by kind permission of M. PLON. 39
- Bridge near Kwan-hsien (Ch'êng-tu). From MARCEL MONNIER'S Tour d'Asie, by kind permission of M. PLON. 41
- MOUNTAINEERS on the Borders of SZE-CH'WAN and TIBET, from one of the illustrations to Lieut. Garnier's Narrative (see p. 48). From Tour du Monde. 47
- VILLAGE of EASTERN TIBET on Sze-ch'wan Frontier. From Mr. Cooper's Travels of a Pioneer of Commerce. 50
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- Example of ROADS on the TIBETAN FRONTIER of China (being actually a view of the Gorge of the Lan t'sang Kiang). From Mr. Cooper's Travels of a Pioneer of Commerce. 51
- The VALLEY of the KIN-SHA KIANG, near the lower end of the CAINDU of Marco Polo. From Lieut. Garnier in the Tour du Monde. 55
- SALT PANS in Yun-nan. From the same. 58
- Black Lolo. 61
- White Lolo. From DEVÉRIA'S Frontière Sino-annamite. 62
- Pa-y Script. From the T'oung-Pao. 65
- Garden-House on the LAKE of YUN-NAN-FU, YACHI of Polo. From Lieut. Garnier in the Tour du Monde. 68
- Road descending from the Table-Land of YUN-NAN into the VALLEY of the KIN-SHA KIANG (the BRIUS of Polo). From the same. 71
- "A SARACEN Of CARAJAN," being the portrait of a Mahomedan Mullah in Western Yun-nan. From the same. 73
- The Canal at YUN-NAN FU. From a photograph by M. TANNANT. 74
- "Riding long like FRENCHMEN," exemplified from the Bayeux Tapestry. After Lacroix, Vie Militaire du Moyen Age. 78
- The SANG-MIAU tribe of KWEI-CHAU, with the Cross-bow. From a coloured drawing in a Chinese work on the Aboriginal Tribes, belonging to W. Lockhart, Esq. 83
- Portraits of a KAKHYEN man and woman. Drawn by Q. CENNI from a photograph (anonymous). 90
- Temple called GAUDAPALÉN in the city of MIEN (i.e. Pagán in Burma), erected circa A.D. 1160. Engraving after a sketch by the first Editor, from Fergusson's History of Architecture. 108
- The PALACE of the KING of MIEN in modern times (viz., the Palace at Amarapura). From the same, being partly from a sketch by the first Editor. 112
- Script Pa-pe. From the T'oung-Pao. 118
- HO-NHI and other Tribes in the Department of Lin-ngan in S. Yun-nan, supposed to he the Anin country of Marco Polo. From Garnier in the Tour du Monde. 121
- The KOLOMAN tribe, on borders of Kwei-chau and Yun-nan. From coloured drawing in Mr. Lockhart's book as above (under p. 83). 125
- Script thaï of Xieng-hung. From the T'oung-Pao. 129
- Iron SUSPENSION BRIDGE at Lowatong. From Garnier in Tour du Monde. 130
- FORTIFIED VILLAGES on Western Frontier of KWEI-CHAU. From the same. 131
- BOOK SECOND.─PART THIRD.
- YANG-CHAU : the three Cities under the Sung. 155
- YANG-CHAU : the Great City under the Sung. From Chinese Plans kindly sent to the present Editor by the late Father H. Havret, S.J., Zi-ka-wei. 156
- MEDIÆVAL ARTILLERY ENGINES. Figs. 1, 2, 3, 4, and 5, are CHINESE. The first four are from the Encyclopedia San-Thsai-Thou-hoei (Paris Library), the last from Amyot, vol. viii. 162
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- COIN from a treasure hidden during the siege of SIANG-YANG in 1268-73, and lately discovered in that city. 169
- Island MONASTERIES on the YANG-TZŬ KIANG ; viz. :- 172
- The West Gate of CHIN-KIANG FU. From an engraving in Fisher's China after a sketch made by Admiral Stoddart, R.N., in 1842. 177
- South-West Gate and Water Gate of SU-CHAU ; facsimile on half scale from the incised Map of 1247. (See List of Inserted Plates preceding, under p. 182.) 183
- The old LUH-HO-TA or Pagoda of Six Harmonies near HANG-CHAU, and anciently marking the extreme S.W. angle of the city. Drawn by Q. CENNI from an anonymous photograph received from the Rev. G. Moule. 193
- Imperial City of HANG-CHAU in the 13th Century. 195
- Metropolitan City of HANG-CHAU in the 13th Century. From the Notes of the Right Rev. G. E. Moule. 197
- Fang of SI-NGAN FU. Communicated by A. Wylie. 209
- Stone Chwang or UMBRELLA. COLUMN, one of two which still mark the site of the ancient Buddhist Monastery called Fan-T'ien-Sze or "Brahma's Temple" at Hang-chau. Reduced from a pen-and-ink sketch by Mr. Moule. 212
- Mr. PHILLIPS' Theory of Marco Polo's Route through Fo-Kien. 223
- Scene in the BOHEA MOUNTAINS, on Polo's route between Kiang-Si and Fo-Kien. From Fortune's Three Years' Wanderings. 227
- Scene on the MIN RIVER below Fu-chau. From the same. 233
- The KAAN'S FLEET leaving the Port of ZAYTON. The scenery is taken from an engraving in Fisher's China, purporting to represent the mouth of the Chinchew River (or River of Tswan-chau), after a sketch by Capt. (now Adm.) Stoddart. But the Rev. Dr. Douglas, having pointed out that this cut really supported his view of the identity of Zayton, being a view of the Chang-chan River, reference was made to Admiral Stoddart, and Dr. Douglas proves to be quite right. The View was really one of the Chang-chau River ; but the Editor has not been able to procure material for one of the Tswan-chau River, and so he leaves it, 245
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- BOOK THIRD
- The KAAN'S FLEET passing through the Indian ARCHIPELAGO. From a drawing by the Editor. 248
- Ancient JAPANESE EMPEROR, after a Native Drawing. From the Tour du Monde. 254
- Ancient JAPANESE ARCHER, after a native drawing. From the same. 257
- The JAPANESE engaged in combat with the CHINESE, after an ancient native drawing. From Charton, Voyageurs Anciens et Modernes. 261
- JAVA. A view in the interior. From a sketch of the slopes of the Gedéh Volcano, taken by the Editor in 1860. 273
- Bas Relief of one of the VESSELS frequenting the Ports of JAVA in the Middle Ages. From one of the sculptures of the BORO BODOR, after a photograph. 274
- The three Asiatic RHINOCEROSES. Adapted from a proof of a woodcut given to the Editor for the purpose by the late eminent zoologist, Edward Blyth. It is not known to the Editor whether the cut appeared in any other publication. 289
- MONOCEROS and the MAIDEN. From a mediæval drawing engraved in Cahier et Martin, Mélanges d'Archéologie, II. Pl. 30. 291
- The BORÚS. From a manuscript belonging to the late CHARLES SCHEFER, now in the Bibliothèque Nationale, Paris. 310
- The CYNOCEPHALI. From the Livre des Merveilles. 311
- ADAM'S PEAK from the Sea. 321
- SAKYA MUNI as a Saint of the Roman Martyrology. Facsimile from an old German version of the story of Barlaam and Josaphat (circa 1477), printed by Zainer at Augsburg, in the British Museum. 327
- TOOTH Reliques of BUDDHA. 1. At Kandy, after Emerson Tennent. 2. At Fu-chau, after Fortune. 330
- "CHINESE PAGODA" (so called) at Negapatam. From a sketch taken by Sir Walter Elliot, K.C.S.I., in 1846. 336
- PAGODA at TANJORE. From Fergusson's History of Architecture. 352
- Ancient CROSS with Pehlvi Inscription, preserved in the church on ST. THOMAS'S MOUNT near Madras. From a photograph, the gift of A. Burnell, Esq., of the Madras Civil Service, assisted by a lithographic drawing in his unpublished pamphlet on Pehlvi Crosses in South India. N.B.—The lithograph has now appeared in the Indian Antiquary, November, 1874. 353
- The Little MOUNT of ST. THOMAS, near Madras. After Daniel. 356
- Small Map of the ST. THOMAS localities at Madras. 358
- Ancient Christian CHURCH at PARÚR or Palúr, on the Malabar Coast ; from an engraving in Pearson's Life of Claudius Buchanan, after a sketch by the latter. 378
- SYRIAN CHURCH at Karanyachirra, showing the quasi-Jesuit Façade generally adopted in modern times. From the Life of Bishop Daniel Wilson. 379
- INTERIOR of Syrian CHURCH at Kötteiyam. From the same. 379
- CAPE COMORIN. From an original sketch by Mr. FOOTE of the Geological Survey of India. 384
- MOUNT D'ELY. From a nautical sketch of last century. 387
- Mediæval ARCHITECTURE in GUZERAT, being a view of Gateway at Jinjawára, given in Forbes's Ras Mala. From Fergusson's History of Architecture. 393
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- The GATES of SOMNATH (so called), as preserved in the British Arsenal at Agra. From a photograph by Messrs. SHEPHERD and BOURNE, converted into an elevation. 399
- The RUKH, after a Persian drawing. From Lane's Arabian Nights. 415
- Frontispiece of A. Miiller's Marco Polo, showing the Bird Rukh. 416
- The ETHIOPIAN SHEEP. From a sketch by Miss Catherine Frere. 425
- View of ADEN in 1840. From a sketch by Dr. R. KIRK in the Map-room of the Royal Geographical Society. 441
- The Harvest of FRANKINCENSE in Arabia. Facsimile of an engraving in Thevet's Cosmographie Universelle (1575). Reproduced from Cassell's Bible Educator, by the courtesy of the publishers. 447
- BOSWELLIA FREREANA, from a drawing by Mr. W. H. FITCH. The use of this engraving is granted by the India Museum through the kindness of Sir George Birdwood. 448
- A Persian BÁD-GÍR, or Wind-Catcher. From a drawing in the Atlas to Hommaire de Hell's Persia. Engraved by ADENEY. 453
- BOOK FOURTH.
- Tomb of OLJAITU KHAN, the brother of Polo's CASAN, at Sultaniah. From Fergusson's History of Architecture. 478
- The Siberian DOG-SLEDGE. From the Tour du Monde. 482
- Mediæval RUSSIAN Church. From Fergusson's History of Architecture. 489
- Figure of a TARTAR under the Feet of Henry Duke of Silesia, Cracow, and Poland, from the tomb at Breslau of that Prince, killed in battle with the Tartar host, 9th April, 1241. After a plate in Schlesische Fürstenbilder des Mittelalters, Breslau, 1868. 493
- Asiatic WARRIORS of Polo's Age. From the MS. of Rashiduddin's History, noticed under cut at p. 19. Engraved by ADENEY. 501
- APPENDICES.
- FIGURE of MARCO POLO, from the first printed edition of his Book, published in German at Nuremberg 1477. Traced from a copy in the Berlin Library. (This tracing was the gift of Mr. Samuel D. Horton, of Cincinnati, through Mr. Marsh.) 555
- Marco Polo's rectified Itinerary from Khotan to Nia. 595
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