Database for Buddhist Cave Temples in China

Kults Pages

pp.102-112

Plan

Fig.227a

Elevation

Fig.226

Image Links (19)

Postancient Buddhist Culture in Central Asia : vol.3 (1)

• 0023Seafarer's Cave, Qyzil (according to Grunwedel)
• 0023Seafarer's Cave (according to Grunwedel)
• 0023Cave, Schortschuq (according to Grunwedel)
• 0023Red dome, Qyzil (with a storehouse)
• 0023Red dome, cross-section diagram
• 0023Cave, Zone 2, Qyzil
• 0023Ajatasatru Cave, the rear wall of the vihara and corridor
• 0023Cave 15, Gorge 1, Qumtura
• 0023"Artist's Cave", Qyzil
• 0023no caption
• 0023no caption
• 0023The cave with two Vajrapani statues, Kirisch
• 0023Hippopotamus Cave, Qyzil (according to Grunwedel)
• 0023(See Page 18)
• 0023The living room (according to Grunwedel)
• 0023no caption

Postancient Buddhist Culture in Central Asia : vol.4 (5)

• 0006A half-moon mural at the "Hippopotamus Cave"
• 0007A half-moon mural at the "Hippopotamus Cave"
• 0020Wall ornaments and painted friezes
• 0035
• 0037The half-moon wall on the left, the Hippopotamus Cave, Qyzil (according to Grunwedel)
• 0037The half-moon wall on the right, the Hippopotamus Cave, Qyzil (according to Grunwedel)

Postancient Buddhist Culture in Central Asia : vol.5 (3)

• 0016Hippopotamus Cave (according to Grunwedel)
• 0063A portrayal of a monk, making a bowl
• 0065A vault ceiling painting at the top of the door wall, Hippopotamus Cave, Qyzil

Ancient Kucha : vol.1 (2)

• 0051Frequently as ornamentation, particularly on representations of walls and towers, cf. Painter cave, Kultstätten p. 157, Fig. 356, Peacock cave, p. 89, Fig.202, Seahorse cave, p. 111, Fig. 244. Everywhere in Murtuq, Toyoq etc. This pattern seen also now at walls (particularly at mountain foot).
• 0051Ornamentation strip from the Seahorse cave, also variants frequently. Kultstätten p. 105.
• 0051Painting of a Swan of defication a stone plate the way to use unclear. Gandhâra area, collection of the Leitner. 1/2 of the original.
• 0217Ornament from the Seahorse cave, which is a variant forms of the edging of the rear wall picture in the Treasure cave C.

Ancient Buddhist Temples in Chinese Turkistan : vol.1 (8)

• 0108Group of caves in the place, where the two sources, which form the streems, that flow the front part of the large ravine I and together in the fig. 78. At the foot of this mountain facing the clif (hatched) lies a Mazar.
• 0108no caption
• 0109Picture in the center of the rear walls. Edging of Fig. 228 and 229 are sketchs of p. 104.
• 0110Second and fifth multicolored strip, which under Fig. 228 surrounded in the rear wall painting. At x each time the color of the base (red, white, lightgreen) changes, per eleven such parts forms a strip. The transition at the corners is outlined beside it.
• 0111Third, the broadest strip, which lower Fig. 228 surrounded rear wall painting: it forms the main frames around the picture on the rear wall. The flower ornamentation repeats itself upper eleven times with simple variants.
• 0111Woman donator, near Fig. 232.
• 0111Donator painting, left near the large central painting of rear wall, Fig.228. Front figure in the field I. H. Original 44 cm.
• 0111Donator painting, left near the large central painting of rear wall, Fig.228. Original height 40 cm.
• 0111Ornament strip at 2.
• 0111Ornamentation in the center of the tapered molding under vault. Cf. Fig. 227b
• 0111Ornament strip at 4.
• 0113Painting on the dome surface of the vault over the rear wall.
• 0113Edging among the upper picture.
• 0114Painting on the dome surface of the vault over the door wall.
• 0114Edging among the upper picture.
• 0115Figure in the zenith of the vault.
• 0115Figure in the zenith of the vault. The Garuḍa is grey with red-brown points, the ape red-brown.
• 0115Figure in the zenith of the vault.
• 0115Figure in the zenith of the vault.
• 0117Painting in lunette of the wall 2.
• 0117Painting in lunette of the wall 3.