国立情報学研究所 - ディジタル・シルクロード・プロジェクト
『東洋文庫所蔵』貴重書デジタルアーカイブ
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カラー画像サムネイル -
目次 -
ページ番号 -
書誌情報（メタデータ） -
キャプション -
カラー画像 -
白黒高解像度画像 -
見開きページ -
グラフィック -
| 0281 |
Ruins of Desert Cathay : vol.2 |
| 中国砂漠地帯の遺跡 : vol.2 |
キャプション
| [Photo] 195 |
唐代の絹絵の幡で、菩薩が描かれている．敦煌「千仏洞」の壁に塗り込められた寺院書庫から発見．PAINTED SILK BANNERS, OF T'ANG PERIOD, REPRESENTING BODHI-SATTVAS, FROM WALLED-UP TEMPLE LIBRARY, 'THOUSAND BUDDHAS,' TUN-HUANG.
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引用情報
OCR読み取り結果
to consider myself fortunate wh
. Foucher, a leading authority in B
lly offered his collaboration for the a
To him and my artist helpmet
, I am largely indebted for the obser
following remarks and descriptio
ing how cautious these must nece
glad that it has been possible to illu
s of pictures by characteristic speci
lowed in colours.
ry of the material used does not rel
difference in subject or treatment.
ion of the pictures, whatever their si
an outward distinction which guides u
broad lines. The smaller pieces s
overed, show mostly the shape of th
d with a triangular headpiece, and smo
and attached below to 'strainers' of w
seen in Fig. 195.
ers are secured at the bottom by a weig
ered or painted wood. This arrang
the care with which the picture pro
th sides of the silk or linen, prove t
invariably intended to float in the ai
the vaults of cellas and porches, or fro
chapels. The larger pieces, being p
only and often provided with some li
ner with streamers or other floating e
clearly meant to be hung up on temp
The subjects represented in these ar
single figures or scenes from Buddhist
res are painted only with figures of t
else with a succession of scenes from t
The latter are the less numerous, b
the first place on account of the inter
of artistic treatment.
ems presented to us are just thos
hists are chose for his favourite su
ordinarily borrowed from that per
ntury which preceded the Bodh of
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581
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605
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629
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683
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696
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709
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723
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736
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749
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760
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771
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783
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793
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803
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813
814
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