国立情報学研究所 - ディジタル・シルクロード・プロジェクト
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Wall Paintings from Ancient Shrines in Central Asia : vol.1 | |
中央アジアの古代寺院の壁画 : vol.1 |
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I I
In the foreground, the kneeling figure offering, on outstretched hands, an
imposing censer seems to be a person of distinction belonging to some non-
Buddhist religious order. His costume seems to consist of three garments; one,
buff or yellow with long sleeves; a cloak of dull vermilion, banded with yellow
reaching almost to the knees, the green lining showing at the lower edge falling
from the two forearms and at the left knee; and an under-robe of dull carmine (an
unusual colour in these pictures) showing at the right breast, over the right forearm,
and covering the knees. He has thick eyebrows and ears of normal length. Shading
of the flesh has faded, but there is a slight greyness on the shaven chin. Above and
behind are two devatás, one almost entirely broken away. The other, partly hidden
by the vesica of the Buddha, turns to signal with the hands the progress of the dis-
course. The gracefully dressed hair, outlined with red against the forehead, is
adorned with an elaborate mukuta (tiara), from which flowing white ribbons seem
to be animated by the wind. Of the two monks above, one is elderly, rather bald,
with bushy greying eyebrows, like those of the kneeling figure, and a nose that
projects more abruptly than usual. From his costume, very similar to that of the
kneeling donor, he probably belongs to the same order; and the rosary round his
neck with pendent cross suggests that he may be a Christian or Manichaean, and
from the type of features, a foreigner. The pose of the hands indicates that he is
following the points of the sermon. The other, a younger monk, his hands in the
anjalí pose, wears a Buddhist robe. The finger- and toe-nails of all the figures are
pointed.
The general background is slate-grey with scattered red flowers and green
leaves, and the border to right has repeating `cloud' flowers.
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