国立情報学研究所 - ディジタル・シルクロード・プロジェクト
『東洋文庫所蔵』貴重書デジタルアーカイブ

I01, 102; well-drawn, 16; wide-eyed, 8, II; wide open, xxiii, 2, 3, 7, 15, 83, 84, 95.

face: bestial, 59, 84, 107; broad, 75; demon, 59, 9o; disk-like, xxiii, xxvi, 27, 45; fair, 8, 97; forehead: broad and low, 13, high, i12; hairless, 9; masseter muscle emphasized, 6o; mature, 72; oval, 14; pale, 84; plump, 22, 25, 82, 86, Ioo; profile, 25, 88; red, 75; Semitic, 3; smooth, 84, 95; supra-orbital prominences, pronounced, 6o, 72; tanned, 59; tear-sodden, 95; yellow, 22: see also cheeks, chin.

facial expression: agonized, 48, 88; alarm, 77; amused, 8; animated, 8, Io, 16; anxious, 12, 86; apprehensive, 84; benign, 112; bestial, 59, Io7; bored, 56; brainless, 88; calculating, 8, loi; complacency, 19; concentration, 3; conscious superiority, 84; contemplative, II; contentment, 82; cruel, 77; delighted anticipation, 86; demoniacal, 22, 59, 84, 9o; despair, 95; disagreeable, 45; dreamy, 21, 24, 53, 71; drowsy, 53; dull, 14; ecstasy, xxiii, 2I, 25, 71, 99; expectant, 8; fierce, 59, 83, 84, 86; frowning, 7, 73, 84; grief, 75, 76, 95; grinning, 72; gruesome, 84; happy, 11; howling, 86; innocence, II; intense abstraction, 27; intelligent, Io; intent, 7; irrascible, 73; irritation, 1o5; kindliness, IoI; knotted brow, 84; lamenting, 95; malevolent, 77; nervous, 12; observant, 8; obstinate, 7; pain, II; resentful, 9; sad, 17; satisfaction, 84; satyr-like, 94; serene, 95, 112; simple-seeming, 77; sleepy, 56; smiling, 8, 25, 61; snarling, 85, 105; sobbing, 76; speculative, 71; stern, 7, 88; superior and condescending, 82; surprise, 77; threatening, 59; tranquil, 53; unamiable, 8; watchful, 9; weariness, II; weeping, 76; wonderment, 75; worried, 84: see also characterization, eyes, mouth, nose.

fan, palm-leaf, see implements.

Farhad-Bég-yailaki, xviii, xxii, xxiii; picture of Háritì found here, see Háritì.

feathers, scale-like, 83.

features: coarse, 96; delicate, 14; scratchily drawn, 37, 45; treated with restraint, 3o.

feet, 2, 89, 105; bare in Mirán paintings, xxi, 3; generally badly drawn, xxvi, 39; better drawn, 26; of men and animals, 12; shod, xxvi: see also sandals, shoes, toe-nails.

females: Aphrodite-like Nágini, viii, xxvi, no--12; divinity threatening demons, 85; fertility, or earth goddess, 21, 24; girls in Mirán painting, xxi, 8; Gothic-like figure, 34; part of, richly dressed, 35; tortured by demons, 48; woman, 46: see also asexuality, Háriti.

fence, post and rail, 107.

ferrules, 20, golden, 67 : see also "housings".

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fertility or earth deity, see females.

festoons: floral, on Miran dado, xx, 5,14,15; of textiles and jewels, 52, 76, 8o, 93.

figured material, I: bands, 39; barred, 35, 62; chequered, 78; compared with those in Ajanta paintings, 39; floral, 18, 98; Indian, 39; lattice, 47; lozenge shapes, 39; paterae, 36; rich, 39; rosettes, 39; scrolls, 18; shawls, 39; Sino-Sasanian, 28; spot pattern, 18, 25, 47, loo : see also animals, motives in ornament.

figured silks found at Astána, xii, 33; at Lou-lan, x,15, 33

figures: celestial, 106; Chinese, 85; decorative, 9o; effeminate, 29; emaciated, 95; long-limbed, 42, 45; proportions usually short, xxvi, boo; on scroll ornament, 41; size, according to importance, 83; slim, 34, 41; small, 85; square-shouldered, 41; stalwart, 102: see also `lion waist'.

finger-nails, xxvi; long and pointed, 29, 99; nuns forbidden to have long, 56; pointed, 56, 7o, 82; short,

3.  19, 31.

fingers, Io, II, 14, 17; erect, 112; long, 31; raised,

admonishing, 86; recurved at tips, 112; significance

of pose, 3, 12; spread, 85; tapering, 31: see thumbs. finial, 38: see also flame.

fire, see destructive influences.

fish, withchapletofpearls, 112: seematsya, Nágini, váhana. fist, see hands.

flageolet, see musical instruments.

flame: finial, 52; in front of hair, 93; gobbets in hell

scene, 49; leaf-like, 1, 27, 37; from mukuta, 91; rising

from sankh, 86: see also motives in ornament, white. flask, 20, 9o, 99, 104.

flautist, 96.

flesh: contour lines, red, 4; red-brown, 4, 8; flesh-like quality, 19; grey, 19; pale, 44, 78, 102; shaded with grey,'xxii, 7, 8, sienna,19, pink, 7, umber, xxii; without shading, 14, 16; skill in painting, 5.

floor: painting on, 8o: see destructive influences. floral design: see motives in ornament.

flower beds, 107.

flowers: branch or sprig, 23, 28, 3o, 34, 35; bunch, 4, 8o; in dish held by devata, 98; in garland, 12; in hand,

4.  8o; lotus, 35, 4o, III; as offering, 53, 64, 68;

peony, 31; stalk, 46; strewn, 64; as tiara, 11; on tree,

4, 37: see also lotus, padmásana.

flute or fife, see musical instruments.

fly-whisk, see chauri .

food, offered to Sűká's dog, 105.

foot, of weary putto, xx, II, 12; with tense muscles,

84; uplifted, III.

foot-gear: curious type of, see costume.

footstool, 2, 3, 45

ford through river, bob.

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