国立情報学研究所 - ディジタル・シルクロード・プロジェクト
| |||||||||
|
Wall Paintings from Ancient Shrines in Central Asia : vol.1 | |
中央アジアの古代寺院の壁画 : vol.1 |
downwards towards the water to convey the idea of undulating slopes; and with
eroded edges, red, to suggest earth.
To the left of the Buddha, and kneeling on the bank, is a donor whose right hand,
offering a golden dish containing fruit or flowers, is only partly visible. Near to the
hand is the knee of perhaps another figure wearing a green tunic bordered with
pink, edged with yellow, and below, a red skirt. All but these fragments of the
figures is missing, and may be probably found in Berlin.
At top left is a devatá in devotional attitude, looking towards the Buddha. This
figure and the monk beside it are faded and damaged by water, which had filtered
through from the roof.
On the right of the picture is another monk, his face turned away from the
centre and his left hand in vítarka-mudrá in imitation of the gesture of the Buddha.
Over his left shoulder hangs a tassel at the end of a buff and white cord. His ears
are normal, but those of the monk on the left are elongated and deeply slit. This
difference may mark different orders.
On the extreme right a second devatá, with folded hands, looks towards the
centre.
The greenish-buff background of the picture is relieved by scattered flowers and
leaves and the side borders are enriched with repeating `cloud' flowers, as in Bez.
111. Aa, plate xvi.
i
i
68
|
Copyright (C) 2003-2019
National Institute of Informatics(国立情報学研究所)
and
The Toyo Bunko(東洋文庫). All Rights Reserved.
本ウェブサイトに掲載するデジタル文化資源の無断転載は固くお断りいたします。