国立情報学研究所 - ディジタル・シルクロード・プロジェクト
『東洋文庫所蔵』貴重書デジタルアーカイブ

cave shrines, xvi; advantages of, xvii; at Toyuk, xi; at

Turfān, 51; - cells, 28: see Bezeklik.

caves of The Thousand Buddhas, 20, 52: see also Tun-

huang.

ceiling, 32, 37, 98, 104.

cell, 32.

cella, 17.

cemeteries, ancient: at Astāna, xii; at Lou-lan, x: see

also textiles.

censer, 35, 7o.

Central Asian Antiquities Museum, New Delhi, xi;

paintings mounted and set up, xii, xiii, xxv, 24, 51.

Central Asian expeditions, vii-xiii.

chain mail, see armour.

- on neck, 27.

chalcolithic arrowheads, found in desert, ix.

Chandaka, Prince Siddhartha's groom, receives jewels,

ornaments, and steed, 97.

Chandi, moon goddess, 24: see Hāriti.

chaplet of skulls, 84; of pearls, 112 and n.

characterization, skill in, xx, 3, 8, 72, 96.

Charchan, x.

chariot, 9, 16; ornamental band on, 15.

Charkhlik oasis, ix, x.

Chatterjee, Sir Atul; help given by, xiv.

chauri (fly-whisk), 3, 59, 72, 90, 92, 97, 104.

cheeks: full and fleshy, 32; puffed out, 85: see also lines

on cheeks.

chiaroscuro, see shading.

children, group of, 18, 34: see also Hāriti.

chin: 47; cleft, 59, 6o, 72; prominent, 8, 72; shaven,

29, 7o, 72.

Chinese: ancient wall and blockhouses, ix, x: see documents; architecture, xxviii, 20, 66, 99, 1o8; artists at work, 86, 87, 89; conflict with Huns, xi, xix; craftsmanship, 94; C. defeat after murder of ruler of Tashkend, xix; documents found at Niya and Lou-lan sites, viii, xix : see also documents; C. drive out Yüeh-chip, xix; C. figures, 85; influence on drawing and design, xviii, xxiii-xxvi, xxviii, 15, 32, 38, 64, 87, 89, 96, 1o8: see also silk fabrics; C. inscriptions, 35, 37, 94; legend of C. princess at Kizkurghān, see king of Persia; of silk princess, q.v.; of Nāgini, q.v.; mourner at parinirvāna, 75; picture of pilgrimage, xxvii, 107; representation of water, see water; silk cocoon export prohibited, and law defied, xxiii : see also `silk princess' : see also silk trade, clouds, coins, colour, pigments.

Chinese secretary engaged, ix.

Chinese Turkestan, 46.

chin strap, 33, 47, 75, 10o.

chiq (reed blind), 32.

47.

Christian (?) monk, 7o.

churning of the ocean (?) symbolic device, 27.

cinctures binding garland, 11, 12, 14. cintāmani (sacred jewels), 80.

circle as symbol, 27.

claws of phoenix, well drawn, 83. clay blocks used in building, 17. clean-shaven disciples, 3; Manichaeans, climate, influence on designs, xvii. cloak, see costume.

clouds: belt of, 85; Chinese floral form of, 106; cloud-cover, 85; decorative, io6; drifting, 85, 89; flame-like, 34; of incense, 94; scrolling, 87, 1o7; streaming, 83, 94, 107: see also motives in ornament.

cloven hoofs, 12.

coat, see costume.

coiffure: varied, xxvi, 52; floral, 84; pearl-studded, 88; white bands, 9.

coins, of various periods found, viii; of Han dynasty, ix; Tang, xxv.

college, theological, 29.

colour: carmine, unusual in these paintings, 7o; disposition of, resembling embroidery, 64, 65; -negatives made in New Delhi, xxv; preservation, xxix, 63; proofs checked with originals, xiv, xv; scheme of, 44; treatment of flowers, 64, 67.

column, 25.

complexion: fair, 8, 66; pink, 3o; red, 75; tanned, 66; varied, 7.

composition of pictures, xxii, xxviii; restlessness and overcrowding, 89.

conflicts between Chinese and Huns, see Chinese. console, architectural feature, 24.

consort, 65, 66.

contour lines: black, 14, 23, 25, 31, 32, 34, 35, 47, 5o, 53, 56, 74, 78, IO2, 105,' blue, IO2; clear, showing probable Chinese influence, xxv; delicate, 95; double, 88, 94, loi; expressionless, xxvi, 21, 56; freely drawn, 4, 61; hard in Bezeklik pictures, xxii, xxiii, 53; hardness softened by underlines, 61, 65; red, 19, 31, 32, 41, 43, 65, 67, 74, 94; skilfully drawn, 31, 53, 56, 61, 102; soft in early work, xxii, 8, 19; thin, 47, 64; various qualities in Mīrān paintings, 4, 5, 14, 16; white, 15, 19, 22, 41, 43, 45, 65, 78; wiry, 91; yellow, 41.

convent to be founded by king, III, see Nāgini.

conventional representation of river banks, 67, 89.

coping-stones, 32.

coral-like flames and scrolls, 58.

cornice, 81, 105.

corridor, painting in, 14.

costume: apron, see grape-leaf; antaravasaka, an undergarment, 96; bands: on arms, 55; on mendicant's dress,

IIS