国立情報学研究所 - ディジタル・シルクロード・プロジェクト
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Wall Paintings from Ancient Shrines in Central Asia : vol.1 | |
中央アジアの古代寺院の壁画 : vol.1 |
embroidery technique, 64, 69; softening effect of
grey underlines and red lines, 61, 65, 69, 70; use of
varnish, 8o, I o 6 .
teeth, 72, 99; small, even, white, 61, 67: see also
tushes.
tempera painting, xxii, 80.
temple or shrine, io8.
terminals, see tiles.
terrace, 38, 66, 99
textiles found, viii, x-xii: see also figured material, silk.
Thorne, Miss W. K., Librarian, India House; help
given by, xv.
throne, 45, 104.
thumb, poses of; compared with European examples,
xxvi, I, 3, 42.
tiara (mukuta), II, 21, 22, 25, 52, 55 : see also jewellery.
Tibetan armour, see armour.
attack on Khotan, xix; on Turfán, xxiv; influence on art, xxix.
fort at Mirán, ix.
Tien-shan range, ix, xii, xxiv.
tiger skin, 23; bow case, 88; as offering, 72, 92; worn
on shoulder, 86.
tilaka or úrná: mark on forehead, 20, 22, 24, S3, 69,
IO2.
tiles, roof, 32; with bird-head terminals, 57, 66,
100.
toes, 7, 23; long, 82; musician beats time with great
toe, 96: see musicians; also elephant.
toe-nails, pointed, 70.
tongue, displayed, 84; of hound, 88; of serpent,
89.
tortured woman, xxvi: see also woman.
Toyuk gorge, xi, xviii; MSS. and objects found in
debris, xi; cave shrines, xxv; remains of painting, 32;
painted domed ceiling, xi: see also dome.
trade routes protected by wall, ix; `route of the
centre', x; `route of the north', xxiv.
Trans-Caspian railway, vii, xii.
Trans-Jordan; tracing the Roman limes, xiii.
Trapusa and Bhallika, see merchants.
tray of flaming jewels, 107.
treachery of Chinese general, xix.
`tread' of steps, 38.
trees: 46; Bodhi tree, 45; as canopy, 52, 81; pine, 44,
45; sacred, 38; stylized, 4, 37; used to separate
incidents, xxi; various, 89, 100, io8; willow, 89.
trefoil leaf of Gothic style, 81.
trimúrti deity, I, 22.
trisűla finial, 57.
triumphal progress, 88.
trousers, see costume.
Tun-huang, `The Thousand Buddhas', on old `route
of the centre', x; see also baldachino, banners, textiles.
Turfán region, xi, xxiv; conflict between Chinese and Huns, xi, xxiv; explored by European scholars, xxiv; occupied by Chinese, xix; sensitive to ethnic and political fluctuations, xxiv; work at, xii.
tushes of demons, 85, 88; of Vajrapáni, 72.
types: long limbed, 45; Arab, 75, 76; Burmese (?), 25; Indian, 72; Roman, 12, 13, 38; Russian or `Western Turk', 47; see also Chinese, Khotanese, Mongolian, monks, Nepalese, saints, Semitic.
Uigurs, 33; support Chinese against Western Turks,
xix; invade Turfán, xxiv; Inscriptions, xxix, 35, 47,
49, 6o, 73.
umbrellas (chhatra), S7.
undulating grassy ground, representation of, 67, 68.
Upali, barber monk, 71.
upavita; see costume.
Upper Oxus, viii.
úrná, 3, 29; see also tilaka.
uru-dama, looped girdle, see costume.
Urumchi, provincial capital, xii.
usnisa, 3; development of, 16, 9o: see also hair-
dressing.
uttarásanga, an outer robe, see costume.
váhana (vehicle of deity), 83; antelope (?), 42; bull, 84;
fish, 76, 77; si-murgh or phoenix, 43, 83.
Vaisravana (?), 88, 109.
vajra (thunderbolt), 22, 27, 59, 72, 74, 77-79, 90, 97,
104; with triStllar limbs, 90.
Vajrapáni, 59, 6o, 62, 64, 72-4, 90, 92, 97, 104: see
also armour.
Vajrasattva, 107.
valance, 21, 5z: see also festoons, guttae, tabs.
vambrace; see armour.
vandalism, xi: see also destructive influences.
vara-mudrá, see mudrás.
varnish, see technique in painting.
Vasey, Mr. E. L., photographer, xv.
Vásh-shari, x.
vesica piscis; absent from Mirán pictures, xxi; highly
developed in later work, xxii.
Vessantara Játaka in Miránpaintings, xx, xxi, 15;
destroyed by Japanese, xxi; fragment from, 9.
vine-leaf `apron', see Nágini.
Virúdhaka (?), 84, 85, 87
vitarka mudrá, see mudrás.
vulture peak, 45.
127
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