国立情報学研究所 - ディジタル・シルクロード・プロジェクト
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The Book of Ser Marco Polo : vol.1 | |
マルコ=ポーロ卿の記録 : vol.1 |
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ON MEDL•EVAL WAR-GALLEYS
37
middle of the 14th century.* In this we see plainly the
projecting opera-morta, and the rowers sitting two to a bench,
each with his oar, for these are two-banked. We can also dis-
cern the Latin rudder on the quarter. (See this volume, p. i 19.)
In a picture in the U fíì z j, at Florence, of about the same date, by
Pietro Laurato (it is in the corridor near the entrance), may be
seen a small figure of a galley with the oars also very distinctly
coupled. f Casoni has engraved, after Cristoforo Canale, a
pictorial plan of a Venetian trireme of the 16th century, which
shows the arrangement of the oars in triplets very plainly.
The following cut has been sketched from an engraving of a
Part of a Sea Fight, after Dom. Tintoretto.
picture by Domenico Tintoretto in the Doge's palace, repre-
senting, I believe, the same action (real or imaginary) as
Spinello's fresco, but with the costume and construction of
a later date. It shows, however, very plainly, the projecting
opera-morta, and the arrangement of the oars in fours, issuing
through row-ports in high bulwarks.
28. Midships in the media val galley a castle was erected, of
Spinello's works, according to Vasari, extended from 1334 till late in the century. A religious picture of his at Siena is assigned to 1385, so the frescoes may probably be of about the same period. Of the battle represented I can find no record.
t Engraved in Jal, i. 33o ; with other mediaeval illustrations of the same points.
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