National Institute of Informatics - Digital Silk Road Project
| |||||||||
|
Peking to Lhasa : vol.1 |
SIAN 31
of the city. One hundred and forty-seven steps
lead up to the sixth story, from whence there is a
good view.
In the north-west corner of the city there is
a rock called Tai - fei - shih (concubine stone), 15
feet high. It is supposed to have the prints of
the hand and feet of Yang (a concubine of one of
t the T'ang emperors) on the back. As visitors for
ages have put their hands into the cavity marked
i by the Emperor, the imprint is very clear. The
supposed footprints are much bigger.
f Mr. Su Kuei-san, the great art collector of Sian,
showed Pereira some of his treasures. He was a
Mohammedan, sixty - five years of age. By an
unprecedented stroke of luck he had acquired five
vases of the Emperor Ts'ai Shih-ching, A.D. 954
to 959, in whose reign there were five great official
potteries, which were broken up at his death. The
first, the Ts'ai pottery, is represented by a short
bowl with a wonderful glaze, which to the collector
is the most valuable. The second, the Wu pottery,
is represented by a yellow vase with rude repre-
sentation of a phoenix and dragon. The third,
the Kuan, is a taller bowl than the Ts'ai, and also
has a wonderful glaze. The fourth, the Ko, is a
white glazed vase of the finest workmanship. On
it three sheep and an old shepherd stand out ;
and there are rocks and a most wonderfully
delicate representation of wistaria and a vine.
The fifth, of the Ting pottery, is an amphora with
handlé.
Some of these vases had only been recently dug
up, and luckily none had been damaged. They
had been secured by Mr. Newman at ridiculously
|
Copyright (C) 2003-2019 National Institute of Informatics and The Toyo Bunko. All Rights Reserved.